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Evolution of Newspaper Design: From Typography to Technology

Explore the transformation of newspaper design from typography in the Baroque era to modern technology, reflecting societal changes and innovations. Learn how newspaper design has evolved across different regions and eras, shaping the way news is presented to readers.

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Evolution of Newspaper Design: From Typography to Technology

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  1. Short History of NEWSPAPER DESIGN Henrik Hargitai hargitai@emc.elte.hu

  2. “The market wraps fish in paper. We wrap news in paper. The content s what counts, not the wrapper” (Bernard Kilgore, editor of Wall Street Journal)

  3. 1620-30: Baroque Book typography. • Amsterdam: Pure typography

  4. 1630-1665: illustrated / typographical • Drop caps, all caps

  5. 1640: Book inner starting page = Newspaper front page

  6. 1665-1720 two columns, pure typography, London Gazette (50+ years no change) First daily 1702. Newspaper typogr. born

  7. 1720-1780: Nameplate symbolism. (postman, coat of arms). Mixed typefaces. East: still small

  8. 1780-1805: W: pure, 4 col. UK, US: ad front page. Eu: last page / inserted ads.

  9. 1780-1805 East: decorated nameplates, A5/1 col. • Old long s disappears

  10. Magyar Hírmondó 1780 / Times 1785 • Size matters • Similar design

  11. Austro-Hungarian Monarchy 1805 • Wien and Pest • Similar design, difrnt symbols

  12. 1785:West to East

  13. Nameplate coat of arms • 1785:West to East

  14. One year of the Gazette de Liege 1792

  15. Pure typography • 2 cols • 1810-20

  16. Letter fashion • New Bold title letters

  17. German is the international newspaper language (German citizens from Buda-Pest to St Petersburg)

  18. Brand design is not born yet • Titling fonts change across the world • Bold and decorated • 1832-47

  19. Egyptian and grotesque is in fashion • MAGYAR HIRLAP: long lasting design

  20. Newspaper design is universal (1844-48)

  21. Gothic (Blackletter, Fraktur) is changed to Sans Serif in Vienna during the 1848 revolution (only nameplate) • French sideboxes

  22. 1848 • Size still matters • Reflects commerce and develop-ment

  23. Pressburg (Bratislava / Pozsony) • French Style • Supplement

  24. The readership • Times • Pesther Tageblatt • 1840s • The designer?

  25. Feuilleton everywhere1880 • Printer • Editor

  26. Articles get titles • 1900 • Vertical-only layout • Hungary: banner

  27. More titles • Horizontal elements, modular style • 2-col. Title: only section title • 1914

  28. 1919 • Back to vertical • More titles • Exterieur comes first

  29. 1925 • Photos! • 1,2,3 col. Articles • Thick horizontal lines • Various titling fonts and alignments (Chelt italic, sans serif, condensed, stepped)

  30. 1935 • No more one-col vertical layout • L shaped and modular layout mixed • Summary index section

  31. 1930-40: „compact” papers • 1940: Large font size banned

  32. Pattern in Hungary: • One-col. editorial • One story front page • Tabloid style

  33. 1945/64: Bodoni rules, no photos and today...

  34. New daily 1968 • French style boxes • Old sans serif title • Gill Sans titles (1930s)

  35. Leading daily • Moon Landing • Editorial!

  36. Short History of NEWSPAPER DESIGN PART 2. CHANGING THE ALPHABET

  37. Turkey, 1928: Atatürk’s reform: changing the alphabet • Old: Ottoman - arabic • New: Latin • Consequences?

  38. New letters from swedish (ö), alban (ç), romanian (ş), german (ü). Use of q, w, x forbidden (kurd uses it) • 1928: teaching only latin • Closed past • Political decision: absolute reforms • Ottoman is linked to Islam (letters of the Holy Quran) • Link to Western culture • 100% analfabetism • Necessary???

  39. Soviet Union: • 1928: Arabic to Latin • 1938 (Stalin): Latin to ciryllic (some difrnce) • 1990+: Ciryllic to Latin (some difrn) • Frontline of civilizations (cultures)

  40. From Fractur to Antiqua (1941..42)

  41. Turkmenistan • Türkmenbasi 1993 (Net forbidden) • Ш = $ , ¢ • Щ = $$ • Ë = ¥O, • Ж = £ • 1995: change to normal letters • Computer, TV comes first

  42. Serbia: biscriptural • You choose • Official: ciryllic • Alphabet choice: additional meaning

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