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CUBISM

CUBISM. I paint forms as I think them not as I see them. Pablo Picasso, Les Demoiselles D’Avignon , 1907. Cubism. show the ‘concept’ of an object rather than details of the real thing. Picasso, Enamel Saucepan, 1945 (Synthetic Cubism). different views of an object

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CUBISM

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  1. CUBISM

  2. I paint forms as I think them not as I see them Pablo Picasso, Les Demoiselles D’Avignon, 1907.

  3. Cubism show the ‘concept’ of an object rather than details of the real thing Picasso, Enamel Saucepan, 1945 (Synthetic Cubism)

  4. different views of an object SIMUTANEOUSLY, emphasizing: time, space & the Machine Age Picasso, A Portrait of David-Henry Kahnweiler, 1910

  5. Picasso & Braque used techniques as faceting, ‘passage’ and multiple perspective Pablo Picasso, Ma Jolie, 1911-1912, Oil on Canvas

  6. During the early process they did not realize they were creating MOVEMENT CUBISM 'Factory, Horta de Ebbo', 1909 (oil on canvas)

  7. influenced and guided by their own understanding of Cézanne PAUL CÉZANNE (1839-1906)'Bibemus Quarry', 1895 (oil on canvas

  8. "Every thing in nature takes it's form from the sphere, cone or cylindar." - Paul Cezanne

  9. Cezanne’s quote basis of painting for seven years. Paul Cezanne's influence most noted in Georges Braque's work Road near L'Estaque. GEORGES BRAQUE 'Viaduct at L'Estaque', 1908 (oil on canvas)

  10. Primitive Cubism 1907 to 1908 or Proto Cubism Analytical Cubism 1909 to 1912 High Analytical 1910 to 1912 or Hermetic Cubism Synthetic Cubism 1912 to 1920 http://www.arthistoryunstuffed.com/tag/hermetic-cubism/

  11. Primitive Cubism began in 1907 until 1908 The Vase, Bowl, Lemon Picasso 1907

  12. simplify objects to their most basic, primitive terms Picasso, LesDemoisellesd'Avignon(The Young Ladiesof Avignon , 1907

  13. the subject usually discernible

  14. figures & objects were dissected or "analyzed“ into many small facets Picasso Girl with a Mandolin (Fanny Tellier)

  15. figures & objects reassembled, to evoke those same figures or objects. Juan Gris, Portrait of Picasso 1912

  16. Analytical Cubism Began 1908 to 1912 Exploration of a subject’s pure form Mentally broke the subject into flat planes and arranged them in complex, overlapping relationships Georges Braque (French, 1882-1963). Violin and Palette (Violon et palette), September 1, 1909. Oil on canvas.

  17. Limited Monochormatic Palette grays, browns, dark greens, ochre, dark yellows maintains an emotionless scene Picasso's Ma Jolie from 1912 is a classic example of this technique.

  18. "high" Analytic Cubism (1910–12), also called hermetic Candlestick and Playing Cards on a Table, Autumn 1910 Georges Braque (French, 1882–1963)Oil on canvas

  19. The composition of this small oval painting consists of clearly defined Cubist planes in hues of brown and ocher highlighted by black and white.

  20. At the center can be identified the corner of a table upon which rests the round base of a brass candlestick

  21. and, at the right, two playing cards —the ace of hearts and the six of diamonds.

  22. This still life presents one of the earliest instances of Braque's choice of an oval format.

  23. Soon, both Braque and Picasso would make frequent use of this shape. Woman with a Mandolin (Georges Braque ,1910)

  24. In rectangular Analytic Cubism, planes and facets of forms concentrate in the center of a composition, Still Life with a Bottle of Rum, 1911Pablo Picasso (Spanish, 1881–1973)Oil on canvas

  25. and the corners remain relatively empty. Still Life with a Pair of Banderillas, Summer 1911Georges Braque (French, 1882–1963)Oil on canvas

  26. An oval format avoids such corners, and therefore Braque and Picasso sometimes favored this shape. The Clarinet (La clarinette), summer-fall 1912. Oil with sand on fine linen canva

  27. Picasso and Braque so abstracted their works that they were reduced to just a series of overlapping planes and facets mostly in monochromatic browns, grays, or blacks. In their work from this period, Picasso and Braque frequently combined representational motifs with letters

  28. Their favorite motifs were still lifes with musical instruments, bottles, pitchers, glasses, newspapers, playing cards and the human face. Landscapes were rare.

  29. These quasi-scientific and mathematical interests were linked with the ‘hermetic sciences’, the occult and alchemy………….

  30. Paul Cezanne La Montagne Saint Victoire Barnes, 1885 BRAQUE, Houses at L'Estaque L'Estaque,1908 CUBISM name by: French art critic Louis Vauxcelles after seeing Braque’s landscapes at L'Estaque in emulation of Cezanne

  31. Major Influences… Paul Cezanne(Post-Impressionist) Femme de Vert1909

  32. Major Influences… African Zimba Mask Les Demoiselles d’Avignon, 1907.

  33. Major Influences… African Zimba Mask Les Demoiselles d’Avignon, 1907.

  34. Analytical Cubism Invented by Picasso and George Braque REVOLUTIONARY STYLE response to a world that was changing with unprecedented speed aim was to develop a new way of seeing reflecting the modern age

  35. western society witnessed more technological progress than in the previous four centuries during this period inventions such as photography, cinematography, sound recording, the telephone, the motor car and the airplane heralded the dawn of a new age.

  36. The problem for artists at this time was how to reflect the modernity of the era using traditions from the last four centuries. Pablo Picasso Carafe, Jug and Fruit Bowl, 1909

  37. new Space Concept first since Masaccio The Holy Trinity

  38. Retains some sort of depth Picasso, Girl with a Mandolin (Fanny Teller), 1910

  39. Analytical Cubism Little contrast in color Georges Braque.The Portuguese, 1911

  40. Analytical Cubism Faceted shapes and translucent divisions of space Pablo Picasso,Portrait of Vollard, 1910. ANALYTICAL CUBISM

  41. Analytical Cubism Complex and systematic design Georges Braque, Violin and Jug, 1910) ANALYTICAL CUBISM

  42. . Differing views of the same subject in the same work Georges Braque,Fruitdish, 1908-09

  43. Georges Braque,Musical Instruments, 1908.

  44. Analytical Cubism Pablo Picasso,Aficionado, 1912. ANALYTICAL CUBISM

  45. SYNTHETIC CUBISM 1912-14 more colourful Pablo Picasso,Composition with Skull, 1908.

  46. Pablo Picasso,Three Musicians, 1921. Puts forms back together after breaking them apart

  47. Synthetic Cubism “Collage” French word “glue” Foreign materials pasted makes the collage look like a real surface Scraps are changed and painted on, giving them a double meaning George Braque, Gillet, 1914.

  48. collage and papier colles, bridged the gap between life and art inserting pieces of the real world onto the canvas. Picasso, Bottle of Pernod and Glass, 1912

  49. Synthetic Cubism Pablo Picasso,Glass and Bottleof Suze, 1912. SYNTHETIC CUBISM

  50. Picasso, Man with a Hat and a Violin, 1912 from a a group of seventeen papiers collés created from newspaper articles arranged cuttings from Le Journal December 3 and 9, 1912 , straight and slightly curved charcoal lines scaffolded text refers to: Balkan Wars, unrest of miners in the Nord Pas-de-Calais départements, issues debated in Parliament and to local announcements and advertisements.

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