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Tragedy

Tragedy. http://internetshakespeare.uvic.ca/Library/SLT/drama/terms.html Anagnorisis – the moment of recognition of one’s faults Catharsis – the release of powerful, healing emotions Hamartia – a fault (or indeed quality) which leads to the downfall of a tragic hero

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Tragedy

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  1. Tragedy • http://internetshakespeare.uvic.ca/Library/SLT/drama/terms.html • Anagnorisis – the moment of recognition of one’s faults • Catharsis – the release of powerful, healing emotions • Hamartia – a fault (or indeed quality) which leads to the downfall of a tragic hero • Hubris – excessive pride, a belief that the hero is in charge of their own destiny

  2. The Winter’s Tale Rebirth and Regeneration Warm life, As now it coldly stands (V, iii, 35-6)

  3. 6 things Write what you know about these themes- try to separate your thinking into 6 distinct sections. Include events, comments, opinions and quotes • Power • Love • Loyalty • Justice and Redemption

  4. Homework • Key Quotes – match each with who said them

  5. Jealousy • 1.2.192-206 – sexual disgust • Hermione’s response: “When you shall come to clearer knowledge Gentle my Lord” (2.1.141-2)

  6. Pregnancy • Regal breeding is vital to the play – the play opens with a discussion of the qualities of Mamillius • The word “issue” is used throughout the play meaning children and result, e.g. • “something rare Even then will rush to knowledge…And gracious be the issue!” (III,I,20-22) • Paulina believes that the sight of his new-born child will cure Leontes of jealousy • Leontes obsesses over his “bastard” children • In the last act Cleomenes and Dion are concerned about “his highness’ fail of issue” • Paulina reassures Dion: “Care nor for issue The crown will find an heir” (5.1.46-7)

  7. Birth • Birth is “the play’s central miracle” (C Neely) • Paulina: “The child was prisoner to the womb…” (2.2.58-60) • The new and fresh blows away the problems of the old, as Florizel says of Perdita: “What you doStill betters what is done” • The Shepherd’s prose helps transform the moddof the poem when he says: “Thou met’st with things dying, I with things new born” (3,3, 112-113) • Reproduction by three women – Paulina, Hermione, Perdita – repair the damage of two men (Kermode) • How does each reproduce?

  8. Childhood • Leontes and Polixenes depict childhood idealistically: • They are too close and both want to hold on to childhood: “we were as twinned lambs” • They see adulthood as tainted by original sin: 1.2.67-74 • Hermione says they have “tripp’d since” • Perdita and Florizel are youthful and F in paritcular is optimistic: “Apprehend nothing but jollity” • They are introduced in spring and P talks of “Daffodils that..winds of March”

  9. Paulina • “I do come with words as medicinal as true Honest as either” (2.3.35) • Points out the baby’s likeness to L – eye, nose, lip…(2.3.102) • Leontes uses word “bastard” 8 times • “Shall I live on to see this bastard kneel And call me father?” (2.3.153-4)

  10. Justice • Leontes: “Let us be cleared Of being tyrannous, since we so openly Proceed in justice” • Hermione defends herself with dignity: “If powers divine Behold our human actions…” • Leontes has angered the gods: “Apollo pardon my great profaneness” • http://www.mythweb.com/gods/Apollo.html • Paulina criticises Leontes “Run mad indeed, stark mad” (3.2.181) • “Do not repent these things, for they are heavier than all thy woes can stir” (3.2.207)

  11. Time • Makes aware that Time brings in “freshest things” • But can also “make stale the glistering of this present” (4.1.12-14)

  12. Peer • Word used a lot – look and heir • “Flora/Peering in April’s front” (4.4.2-3)

  13. Flowers • Florizel dresses Perdita up as Flora and she gives flowers to her guests: rosemary, rue, daffodils, violets, ‘pale primroses’…(4.4.118-124) • Perdita calls carnations “Nature’s bastards” • Polixenes says cross-breeding is “an Art which does mend Nature” (4.4.95-7) • Elizabethans loved discussing the relationship between Art and Nature and this is a debate about producing something new

  14. Perdita • Leontes thinks she is a ‘goddess’ • There is not great proof of her identity – love must have trust and Leontes finally learns this • Her beauty speaks of her royal blood

  15. Last Scene • Leontes’ gaze seems to bring her to life bit by bit: “Would you not deem it breathed, and that those veinsDid verily bear blood” (5.3) • Paulina directs things “music awake her, strike!” • Something cold as ‘stone’ has warmth and life • And with this Leontes happiness and kingdom is again secure and his thoughts turn to his daughter: gods, look down, And from your sacred vials pour your gracesUpon my daughter’s head

  16. Conclusion • The play is truly a ‘Winter’s Tale’ • It promises of rebirth and warmth returning to a deathly, cold kingdom:

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