Shape and Volumetric Form

1. Shape and Volumetric Form CHAPTER 3

2. Definitions SHAPE VOLUMETRIC FORM VOLUMETRIC FORM- three-dimensional equivalent of a two-dimensional shape ORGANIC FORMS- display irregular contours, curvilinear and non-mechanical looking GEOMETRIC FORMS- cube, sphere, cone or pyramid • SHAPE- two dimensional area that displays both width and length; has relatively clear boundaries • POSITIVE SHAPES- a tangible or solid shape that appears in front of or encloses an area of the background • NEGATIVE SHAPES- theoretically empty areas created by shapes touching each other • FIGURE AND GROUND- terms that refer to the interactions of positive and negative shapes in a two dimensional image • ORGANIC SHAPES- curvilinear in nature, display irregular routines or contours • GEOMETRIC SHAPES- bordered by straight lines, precise angles, uniform curves

3. Key Concepts SHAPE and VOLUMETRIC FORM • Visual conflict contributes to the multi-dimensional character of a portrait. Shapes that are different provide a stimulating effect that add to the aesthetic value of a piece. • The interaction of organic and geometric shapes and forms show great contrasting visual characteristics as well as visual conflicts and pictorial problems. These appeal to all kinds of people, because different perspectives find beauty in different pieces.. • Volumetric form is always accompanied by other aspects of the vocabulary of visual expression. (ex. Principle of space) • Geometric forms and shapes are often seen in architecture because they represent deeper symbolic or religious meanings to different cultures. (ex. Domes on churches)

4. References and Connections to PHOTO IDEA INDEX • Page 100: Shapes“Be on the lookout for interesting and unexpected instances of simple shapes in the real world. If they are intriguing to you, then there’s a good chance that others will be attracted to the photos you take of them.” • Page 120: Depth Perception “Take advantage of the intriguing visual and thematic effects that three-dimensional feel can lend to an image. Consider points of view that amplify the perception of depth whenever you sense that such a presentation could enhance an image’s impact.” • Page 86: Symmetry “Symmetry, like a basic shape, is easy on the brain: It is a fundamental visual arrangement that does not challenge the viewer’s comprehension.”

5. References and Connections to NONDESIGNERS DESIGN BOOK • Page 81: “Don’t be afraid to be asymmetrical, to uncenter your format- it often makes the effect stronger. It’s okay to do the unexpected.” • Page 33: “Nothing should be placed on the page arbitrarily. Every item should have a visual connection with something else on the page.” Robin’s Principle of Alignment • Page 33: “The strength of the edge is what gives strength to the layout.” • Page 33: “Even when aligned elements are physically separated from each other, there is an invisible line that connects them, both in your eye and in your relationship…” • Page 49: “It is possible to break free of alignment if you do it consciously, and one can tell that it was on purpose.”