1. What is the Green Knight's "real" name? 2. What is his wife's name, the Lady of the story?

1. ENGLISH 2310 FALL 2008 SIR GAWAIN QUIZ (6) 1. What is the Green Knight's "real" name? 2. What is his wife's name, the Lady of the story? 3. Who does the Green Knight eventually say is responsible for the events of the poem, and why? (2)

2. Emboîtement in Sir Gawain and the Green Knight Troy story Troy story

3. Emboîtement in Sir Gawain and the Green Knight Troy story Celebration at Camelot Return to Camelot and celebration Troy story

4. Emboîtement in Sir Gawain and the Green Knight Troy story Celebration at Camelot Challenge and beheading Return blow Return to Camelot and celebration Troy story

5. Emboîtement in Sir Gawain and the Green Knight Troy story Celebration at Camelot Challenge and beheading Gawain arms himself and journeys off Gawain arms himself and goes to Green Chapel Return blow Return to Camelot and celebration Troy story

6. Emboîtement in Sir Gawain and the Green Knight Troy story Celebration at Camelot Challenge and beheading Gawain arms himself and journeys off Temptation/hunting/temptation/hunting/temptation/hunting Gawain arms himself and goes to Green Chapel Return blow Return to Camelot and celebration Troy story

7. Emboîtement in Sir Gawain and the Green Knight Troy story Celebration at Camelot Challenge and beheading Gawain arms himself and journeys off Temptation/hunting/temptation/hunting/temptation/hunting Gawain arms himself and goes to Green Chapel Return blow Return to Camelot and celebration Troy story

8. Garter knight

9. “Indeed,” said the doughty knight, and doffed his high helm, And held it in his hands as he offered his thanks, “I have lingered long enough—may good luck be yours, And He reward you well that all worship bestows! And commend me to that comely one, your courteous wife, Both herself and that other, my honoured ladies, That have trapped their true knight in their trammels so quaint. But if a dullard should dote, deem it no wonder, And through the wiles of a woman be wooed into sorrow, For so was Adam by one, when the world began, And Solomon by many more, and Samson the mighty— Delilah was his doom, and David thereafter Now these were vexed by their devices—‘twere a very joy Was beguiled by Bathsheba, and bore much distress; Could one but learn to love, and believe them not. For these were proud princes, most prosperous of old, Past all lovers lucky, that languished under heaven, bemused. And one al all fell prey To women that they had used. If I be led astray, Methinks I may be excused. (SGGK 2407-28)

10. 2 Samuel 11 (New International Version) 1 In the spring, at the time when kings go off to war, David sent Joab out with the king's men and the whole Israelite army. They destroyed the Ammonites and besieged Rabbah. But David remained in Jerusalem.  2 One evening David got up from his bed and walked around on the roof of the palace. From the roof he saw a woman bathing. The woman was very beautiful, 3 and David sent someone to find out about her. The man said, "Isn't this Bathsheba, the daughter of Eliam and the wife of Uriah the Hittite?" 4 Then David sent messengers to get her. She came to him, and he slept with her. (She had purified herself from her uncleanness.) Then [a] she went back home. 5 The woman conceived and sent word to David, saying, "I am pregnant."

12. Sir Robert Cotton (1571-1631) Cotton Nero A.x (Sir Gawain, Pearl) Cotton Vitellius A.xv (Beowulf)

13. The opening lines of Beowulf (BL MS Cotton Vitellius A.xv)

14. The opening lines of Sir Gawain and the Green Knight (BL MS Cotton Nero A.x., f.91a)

16. Guenevere

17. Guenevere Virgin Mary

18. Guenevere Virgin Mary Two queens

19. They refer to their men: Guenevere to Arthur (73-84), Mary to Christ (644-50) Guenevere Virgin Mary Two queens

20. They refer to their men: Guenevere to Arthur (73-84), Mary to Christ (644-50) Guenevere Virgin Mary Two queens “Lady Bercilak”

21. They refer to their men: Guenevere to Arthur (73-84), Mary to Christ (644-50) Guenevere Virgin Mary Two queens 943-54 “wener than Wenore” “Lady Bercilak”

22. They refer to their men: Guenevere to Arthur (73-84), Mary to Christ (644-50) Guenevere Virgin Mary Two queens Lady replaces Guenevere at the second Christmas feast 943-54 “wener than Wenore” “Lady Bercilak”

23. They refer to their men: Guenevere to Arthur (73-84), Mary to Christ (644-50) Guenevere Virgin Mary Two queens Lady replaces Guenevere at the second Christmas feast 943-54 “wener than Wenore” “Lady Bercilak” Morgan le Fay

24. They refer to their men: Guenevere to Arthur (73-84), Mary to Christ (644-50) Guenevere Virgin Mary Two queens Lady replaces Guenevere at the second Christmas feast 943-54 “wener than Wenore” Twinned descriptions in second fitt “Lady Bercilak” Morgan le Fay

25. They refer to their men: Guenevere to Arthur (73-84), Mary to Christ (644-50) Guenevere Virgin Mary Two queens Lady replaces Guenevere at the second Christmas feast 943-54 “wener than Wenore” Twinned descriptions in second fitt “Lady Bercilak” Morgan le Fay If it’s Morgan’s plan, the lady is in her service

26. They refer to their men: Guenevere to Arthur (73-84), Mary to Christ (644-50) Guenevere Virgin Mary Two queens Lady replaces Guenevere at the second Christmas feast 943-54 “wener than Wenore” Twinned descriptions in second fitt “Lady Bercilak” Morgan le Fay If it’s Morgan’s plan, the lady is in her service

27. They refer to their men: Guenevere to Arthur (73-84), Mary to Christ (644-50) Guenevere Virgin Mary Two queens Lady replaces Guenevere at the second Christmas feast Gawain’s aunt and patroness 943-54 “wener than Wenore” Twinned descriptions in second fitt “Lady Bercilak” Morgan le Fay If it’s Morgan’s plan, the lady is in her service

28. They refer to their men: Guenevere to Arthur (73-84), Mary to Christ (644-50) Guenevere Virgin Mary Two queens Powerful, supernatural figures Lady replaces Guenevere at the second Christmas feast Gawain’s aunt and patroness 943-54 “wener than Wenore” Twinned descriptions in second fitt “Lady Bercilak” Morgan le Fay If it’s Morgan’s plan, the lady is in her service

29. They refer to their men: Guenevere to Arthur (73-84), Mary to Christ (644-50) Guenevere Virgin Mary Two queens Powerful, supernatural figures Lady replaces Guenevere at the second Christmas feast Gawain’s aunt and patroness 943-54 “wener than Wenore” Twinned descriptions in second fitt “Lady Bercilak” Morgan le Fay If it’s Morgan’s plan, the lady is in her service

30. They refer to their men: Guenevere to Arthur (73-84), Mary to Christ (644-50) Guenevere Virgin Mary Two queens Powerful, supernatural figures Lady replaces Guenevere at the second Christmas feast They surround Gawain at the mid-point (1263) Gawain’s aunt and patroness 943-54 “wener than Wenore” Twinned descriptions in second fitt “Lady Bercilak” Morgan le Fay If it’s Morgan’s plan, the lady is in her service

31. They refer to their men: Guenevere to Arthur (73-84), Mary to Christ (644-50) Guenevere Virgin Mary Two queens Powerful, supernatural figures Lady replaces Guenevere at the second Christmas feast 1768-72 Mary and Lady “compete” for Gawain They surround Gawain at the mid-point (1263) Gawain’s aunt and patroness 943-54 “wener than Wenore” Twinned descriptions in second fitt “Lady Bercilak” Morgan le Fay If it’s Morgan’s plan, the lady is in her service

32. They refer to their men: Guenevere to Arthur (73-84), Mary to Christ (644-50) Guenevere Virgin Mary Two queens Powerful, supernatural figures Lady replaces Guenevere at the second Christmas feast 1768-72 Mary and Lady “compete” for Gawain They surround Gawain at the mid-point (1263) Gawain’s aunt and patroness 943-54 “wener than Wenore” Silent presences at court Twinned descriptions in second fitt “Lady Bercilak” Morgan le Fay If it’s Morgan’s plan, the lady is in her service

33. They refer to their men: Guenevere to Arthur (73-84), Mary to Christ (644-50) Guenevere Virgin Mary Two queens Placed in the margins, at beginning and end Powerful, supernatural figures Lady replaces Guenevere at the second Christmas feast 1768-72 Mary and Lady “compete” for Gawain They surround Gawain at the mid-point (1263) Gawain’s aunt and patroness 943-54 “wener than Wenore” Silent presences at court Twinned descriptions in second fitt “Lady Bercilak” Morgan le Fay If it’s Morgan’s plan, the lady is in her service

34. They refer to their men: Guenevere to Arthur (73-84), Mary to Christ (644-50) Guenevere Virgin Mary Two queens Placed in the margins, at beginning and end Powerful, supernatural figures Lady replaces Guenevere at the second Christmas feast 1768-72 Mary and Lady “compete” for Gawain They surround Gawain at the mid-point (1263) Gawain’s aunt and patroness 943-54 “wener than Wenore” Silent presences at court Twinned descriptions in second fitt “Lady Bercilak” Morgan le Fay If it’s Morgan’s plan, the lady is in her service

35. They refer to their men: Guenevere to Arthur (73-84), Mary to Christ (644-50) Guenevere Virgin Mary Two queens Placed in the margins, at beginning and end Powerful, supernatural figures Lady replaces Guenevere at the second Christmas feast 1768-72 Mary and Lady “compete” for Gawain They surround Gawain at the mid-point (1263) Gawain’s aunt and patroness 943-54 “wener than Wenore” Silent presences at court Twinned descriptions in second fitt “Lady Bercilak” Morgan le Fay If it’s Morgan’s plan, the lady is in her service

36. They refer to their men: Guenevere to Arthur (73-84), Mary to Christ (644-50) Guenevere Virgin Mary Two queens Placed in the margins, at beginning and end Powerful, supernatural figures Lady replaces Guenevere at the second Christmas feast 1768-72 Mary and Lady “compete” for Gawain They surround Gawain at the mid-point (1263) Gawain’s aunt and patroness 943-54 “wener than Wenore” Silent presences at court Twinned descriptions in second fitt “Lady Bercilak” Morgan le Fay If it’s Morgan’s plan, the lady is in her service

38. Morgan, named "the goddess," directs an emissary to the Arthurian court to trigger a drama whose intended destination is Guenevere, the secular queen who is the desired audience or reader of its effects. A player, Gawain, is drawn into Morgan's game, under the apparent patronage of the "heaven-queen," the Blessed Virgin. In the course of his journey, Gawain's supplication to this Christian goddess for a safe residence in which to perform Christian religious rites, a plaint invoking the sacred name of his mistress, Mary (736-39, 754), seems to occasion the appearance of the castle where an aggressively secular courtly mistress (the nameless lady) resides--the scene for the performance of amatory rites. There a feminine game of seduction is enacted, a seduction of language and identity that forms the principle aventure of this romance, but its precise outcome and consequences are veiled from the knightly participant's understanding, being hidden within the screen game of a masculine economy of exchanges. The Lady marks Gawain with her personal sign--a "love-lace," or sexualized signifier, which is later disseminated throughout the Arthurian court--as well as with a small neck-wound, a token cut that leaves a scar. The end limit of her play is signaled by the Virgin's rescue of "her knight" from "great peril." Finally, when the feminine sub-script is read to him, Gawain in self-defensive fury attributes all responsibility and power to women, in what is commonly cited as his "antifeminist diatribe," a tirade witnessing the belief that women dominate and shape the destines of men. Morgan's signature in the drama is deciphered by the Green Knight, who unravels it backward to the beginning of the poem's action. from Geraldine Heng, "Feminine Knots and the Other Sir Gawain and the Green Knight," PMLA 106 (1991): 500-14.