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Film and Life of China after 1949. Prof. Yali Pei Literature School Shaanxi Normal University. Chapter One White Hair Girl and the Establishment of the Narrative Model of New China’s Cinema. 1. The Story positive negative Xi’er / Da Chun Huang Shiren
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Film and Life of China after 1949 Prof. Yali Pei Literature School Shaanxi Normal University
Chapter One • White Hair Girl and the Establishment of the Narrative Model of New China’s Cinema
1. The Story • positive negative • Xi’er/ Da Chun Huang Shiren • The people Mu Renzhi
3. The presentation of the Plot • Peaceful life • Bad-guys break-in • Xi’er is Raped • Dachun Joined the Red Army • The protagonist is rescued
3. Summary of the Plot • Liberation of Chinese low class people from the oppression; • Joining the Red Army is the motivation of the new China’s movies’ story which had the theme of liberation and standing up as a master
4. Story’s organization • Breaking out of the peace life • —suffering of the protagonist • —protagonist was rescued • —the peace life comes back
5. Manners The story and the music are both coming from Northern China There are also some opponents coming from western art, like Uncle Zhao’s songs belong to the modern opera, the view in the mountain is Gothic style.
6 Further issue to talk about beliefs • Grandma temple • Buddhism
Resources and further readings • White Hair Girl (movie). Creative playwright and director: Shui Hua; Star: Tian Hua, Chen Qiang. 1950, Northeast China Studio • The Red Detachment of Women (movie). Creative playwright: Liang Xin; Director: Xie Jin. 1961, Shanghai Studio