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SCENES FROM GENESIS Detail of the Good Samaritan Window, south aisle of nave, Cathedral of Notre-Dame, Chartres, France. c. 1200-1210. Stained and painted glass. [Fig. 17-01]. EUROPE IN THE GOTHIC ERA [Map 17-01].
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SCENES FROM GENESISDetail of the Good Samaritan Window, south aisle of nave, Cathedral of Notre-Dame, Chartres, France. c. 1200-1210.Stained and painted glass. [Fig. 17-01]
PLAN OF THE CHOIR (A) AND VIEW OF AMBULATORY AND APSE CHAPELS (B) OF THE ABBEY CHURCH OF SAINT-DENISFrance. 1140-1144. [Fig. 17-02a]
PLAN OF THE CHOIR (A) AND VIEW OF AMBULATORY AND APSE CHAPELS (B) OF THE ABBEY CHURCH OF SAINT-DENISFrance. 1140-1144. [Fig. 17-02b]
ELEMENTS OF ARCHITECTURE: Rib VaultingRib vault with pointed arches
THE FLIGHT INTO EGYPTDetail of the Incarnation (Infancy of Christ) Window, axial choir chapel, abbey church of Saint-Denis. c. 1140-1144.The Glencairn Museum, Bryn Athyn, Pennsylvania. [Fig. 17-03]
WEST FAÇADE, CHARTRES CATHEDRAL (CATHEDRAL OF NOTRE-DAME)France. West façade begun c. 1134; cathedral rebuilt after a fire in 1194; building continued to 1260; north spire 1507-1513. [Fig. 17-04]
ROYAL PORTAL, WEST FAÇADE, CHARTRES CATHEDRALc. 1145-1155. [Fig. 17-05]
ROYAL PORTAL, WEST FAÇADE, CHARTRES CATHEDRALDetail of prophets and ancestors of Christ (kings and queens of Judea), right side, central portal. c. 1145-1155. [Fig. 17-06]
MASONS AT WORKDetail of a miniature from a Picture Bible made in Paris. 1240s.The Morgan Library and Museum, New York. MS. M638, fol. 3r. [Fig. 17-08]
PLAN (A) AND INTERIOR LOOKING EAST (B), CHARTRES CATHEDRAL1194-c. 1220. [Fig. 17-09a]
PLAN (A) AND INTERIOR LOOKING EAST (B), CHARTRES CATHEDRAL1194-c. 1220. [Fig. 17-09b]
GOOD SAMARITAN WINDOWSouth aisle of nave, Chartres Cathedral. c. 1200-1210.Stained and painted glass. [Fig. 17-10]
ROSE WINDOW AND LANCETS, NORTH TRANSEPT, CHARTRES CATHEDRALc. 1230-1235. Stained and painted glass. [Fig. 17-11]
PLAN OF CATHEDRAL OF NOTRE-DAME, REIMSFrance. Begun in 1211. [Fig. 17-12]
WEST FAÇADE, CATHEDRAL OF NOTRE-DAME, REIMSRebuilding begun 1211; façade begun c. 1225; to the height of rose window by 1260; finished for the coronation of Philip the Fair in 1286; towers left unfinished 1311; additional work 1406-1428. [Fig. 17-13]
CENTRAL PORTAL, RIGHT SIDE, WEST FAÇADE, REIMS CATHEDRALAnnunciation (left pair: Mary [right] c. 1240, angel [left] c. 1250) and Visitation (right pair: Mary [left] and Elizabeth [right] c. 1230). [Fig. 17-14]
INTERIOR LOOKING WEST, REIMS CATHEDRALBegun 1211; nave c. 1220. [Fig. 17-15]
Villard de Honnecourt SHEET OF DRAWINGS WITH GEOMETRIC FIGURESc. 1230. Ink on vellum, 9-1/4" × 6" (23.5 × 15.2 cm).Bibliothèque Nationale, Paris. MS. fr. 19093. [Fig. 17-16]
Villard de Honnecourt DRAWINGS OF THE INTERIOR AND EXTERIOR ELEVATION OF THE NAVE OF REIMS CATHEDRALc. 1230. Ink on vellum, 9-1/4" × 6" (23.5 × 15.2 cm).Bibliothèque Nationale, Paris. MS. fr. 19093. [Fig. 17-17]
SCHEMATIC DRAWING OF THE SAINTE-CHAPELLEParis. 1239-1248. [Fig. 17-18]
UPPER CHAPEL INTERIOR, THE SAINTE-CHAPELLEParis. 1239-1248. [Fig. 17-19]
HOLOFERNES' ARMY CROSSING THE EUPHRATES RIVERDetail of the Judith Window, the Sainte-Chapelle, Paris. c. 1245.Stained, painted, and leaded glass, diameter 23-5/16" (59.2 cm).Philadelphia Museum of Art. [Fig. 17-20]
QUEEN BLANCHE OF CASTILE AND KING LOUIS IXFrom a Moralized Bible made in Paris. 1226-1234.Ink, tempera, and gold leaf on vellum, each page 15" × 10-1/2" (38 × 26.6 cm).The Morgan Library and Museum, New York. MS. M. 240, fol. 8r. [Fig. 17-21]
MORALIZATIONS FROM THE APOCALYPSEFrom a Moralized Bible made in Paris. 1226-1234.Ink, tempera, and gold leaf on vellum, each page 15" × 10-1/2" (38 × 26.6 cm).The Morgan Library and Museum, New York. MS. M. 240, fol. 6r. [Fig. 17-22]
A CLOSER LOOK: Psalm 1 in the Windmill PlasterThe opening of the Windmill Psalter.Made in England, probably London. Late 13th century.Ink, pigments, and gold on vellum, each page 12-3/4" × 8-3/4" (32.3 × 22.2 cm).The Morgan Library and Museum, New York. MS. 102, fols. lv-2r.
Matthew Paris SELF-PORTRAIT KNEELING BEFORE THE VIRGIN AND CHILDFrom the Historia Anglorum, made in St. Albans, England. 1250-1259.Ink and color on parchment, 14" × 9-3/4" (35.8 × 25 cm).The British Library, London. Royal MS. 14.c.vii, fol. 6r. [Fig. 17-23]
SALISBURY CATHEDRALEngland. Church building 1220-1258; west façade finished 1265; spire c. 1320-1330; cloister and chapter house 1263-1284. [Fig. 17-24]
EXTERIOR OF THE GREAT HALL, STOKESAY CASTLEEngland. Late 13th century. [Fig. 17-27]
EXTERIOR, CHURCH OF ST. ELIZABETH OF HUNGARY, MARBURGGermany. 1235-1283. [Fig. 17-28]
INTERIOR, CHURCH OF ST. ELIZABETH OF HUNGARYMarburg, Germany. 1235-1283. [Fig. 17-29]
INTERIOR, OLD-NEW SYNAGOGUE (ALTNEUSCHUL)Prague, Bohemia (Czech Republic). c. late 13th century; bimah after 1483.[Fig. 17-30]
Nicholas of Verdun and workshop SHRINE OF THE THREE KINGSCologne (Köln) Cathedral, Germany. c. 1190-c. 1205/10. Silver and gilded bronze with enamel and gemstones, 5'8" × 6' × 3'8" (1.73 × 1.83 × 1.12 m). [Fig. 17-31]
ST. MAURICEMagdeburg Cathedral, Magdeburg, Germany. c. 1240-1250.Dark sandstone with traces of polychromy. [Fig. 17-32]
EKKEHARD AND UTAWest chapel, Naumburg Cathedral, Germany. c. 1245-1260.Stone with polychromy, height approx. 6'2" (1.88 m). [Fig. 17-33]
Nicola Pisano PULPITBaptistery, Pisa, Italy. 1260.Marble, height approx. 15' (4.6 m). [Fig. 17-34]
Nicola Pisano ANNUNCIATION, NATIVITY, AND ADORATION OF THE SHEPHERDSDetail of pulpit, Baptistery, Pisa, Italy. 1260.Marble, 33-1/2" × 44-1/2" (85 × 113 cm). [Fig. 17-35]
Giovanni Pisano ANNUNCIATION, NATIVITY, AND ADORATION OF THE SHEPHERDSDetail of pulpit, Sant'Andrea, Pistoia, Italy. 1298-1301.Marble, 33" × 40-1/8" (83 × 102 cm). [Fig. 17-36]
Coppo di Marcovaldo CRUCIFIXFrom the Franciscan convent of Santa Chiara, San Gimignano, Italy. c. 1250-1270. Tempera and gold on wood panel, 9'7-3/8" × 8'1-1/4" (2.93 × 2.47 m).Pinacoteca, San Gimignano, Italy. [Fig. 17-37]
SCHEMATIC DRAWING OF THE CHURCH OF ST. FRANCIS, ASSISIUmbria, Italy. 1228-1253. [Fig. 17-38]
THE MIRACLE OF THE CRIB AT GRECCIOFrom a cycle of the Life of St. Francis, church of St. Francis, Assisi.Late 13th or early 14th century. Fresco. [Fig. 17-39]