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Start Filming. Learning to Love America. because it has no pure products because the Pacific Ocean sweeps along the coastline because the water of the ocean is cold and because land is better than ocean because I say we rather than they because I live in California

williamstout
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  1. Start Filming

  2. Learning to Love America because it has no pure products because the Pacific Ocean sweeps along the coastline because the water of the ocean is cold and because land is better than ocean because I say we rather than they because I live in California I have eaten fresh artichokes and jacaranda bloom in April and May because my senses have caught up with my body my breath with the air it swallows my hunger with my mouth because I walk barefoot in my house because I have nursed my son at my breast because he is a strong American boy because I have seen his eyes redden when he is asked who he is because he answers I don’t know because to have a son is to have a country because my son will bury me here because countries are in our blood and we bleed them because it is late and too late to change my mind because it is time. By Shirley Geok-Lin Lim

  3. Learning to Love America

  4. Share: -Read the poem your group has chosen out loud for the class -Show and/or describe your storyboard and plan for the film to your class.

  5. React: -While you’re listening to your classmates’ poems and ideas, make note of what surprises you, what confuses you, what seems like a great idea, or what could be an even greater idea. -Share your reactions, briefly, with the class.

  6. START MAKING YOUR MOTIONPOEM! ANIMATOR/MUSIC/SFX/OTHER WHAT SHOULD YOU KEEP IN MIND TODAY? • What do you need to accomplish today to bring the artistic vision to life? DIRECTOR • How are you going to put your vision on screen? • Which scenes need to be filmed in what order? PRODUCER • What does each person need to do to get the film made? • Is the director’s vision being communicated by the film? EXECUTIVE PRODUCERS: Saara & Mrs. Crouse

  7. MAKE YOUR TO-DO LIST LIST WHAT FOUR THINGS YOU NEED TO HAVE FINISHED BY THE END OF THE DAY MUSIC/SCRIPT SUPERVISOR 1. 2. 3. 4. DIRECTOR 1. 2. 3. 4. PRODUCER 1. 2. 3. 4. EXECUTIVE PRODUCERS: Saara & Mrs. Crouse

  8. Remember: Each scene in your motionpoem should add something new to the poem, not just illustrate it. Be creative with your resources—sometimes the best parts of a motionpoem come from having to solve the problem of not having the right stuff.

  9. See you next time, filmmakers.

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