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1. Arrival 2. Domain D1 – Public D2 – Private 3. Centers

1. Arrival 2. Domain D1 – Public D2 – Private 3. Centers C1 – Lobby C6 – Administrative spaces C2 – Exhibition space (permanent) C7 – Security dept . C3 – Exhibition space (temporary) C9 – Maintenance dept . C4 – Café

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1. Arrival 2. Domain D1 – Public D2 – Private 3. Centers

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  1. 1. Arrival 2. Domain D1 – Public D2 – Private 3. Centers C1 – Lobby C6 – Administrative spaces C2 – Exhibition space (permanent) C7 – Security dept. C3 – Exhibition space (temporary) C9 – Maintenance dept. C4 – Café C5 – Book/gift Shop 4. Nodes Stairways/elevators Cross-circulation points Out of project scope centers: C10 – Auditorium C11 – Art studios C12 – Storage

  2. Loading Dock and Workshop Security Dept. Cafe Permanent Collection Public Entrance and Exit Employee Entrance & Exit Security Check Lobby Administrative Dept. Temporary Collections Legend Retail Private spaces Maintenance Dept. Public spaces Acoustical privacy Immediate adjacency Convenient adjacency Minor/possible relationship

  3. The axial path conveys surety and confidence, while reinforcing the symbolic content of the space. In its modern use, it represents ambiguity and plurality of meaning, as the perceiver can choose which part of the axial path to travel on first, second, etc. The split path is a variant of the axial or linear path, but here the original path either diverges into two or more paths, or several paths come together into one. This path is more complex and accentuates the decision points along its sequence, but offers fewer choices for circulation. Barrie, T. (1996). Spiritual path, sacred space. Boston, MA: Shambhala Publications. Split/Axial Path

  4. The radial path allows for circulation to radiate from a central point, where they act as “spokes of approach that radiate from the hub of the sacred place (p. 111). • Barrie, T. (1996). Spiritual path, sacred space. Boston, MA: Shambhala Publications. Radial Path

  5. The segmented path consists of a multidirectional series of connected paths, leading to a central space, with examples ranging from one or two turns, to a maze-like journey. This type of path infers the “rigors and trials” of the path to the sacred place, more than the other types, where a more obvious sense of path and passage exists, and also represents the journey to the unknown, through the segments of increasing interest/importance; the boundaries protect the “uninitiated” on the path to the sacred point (p. 147). • Barrie, T. (1996). Spiritual path, sacred space. Boston, MA: Shambhala Publications. Segmented Path

  6. The circumambulating path either surrounds the center, or forms the space itself. This ancient concept grew out of “archetypal devotion,” and is symbolic of a gradual and respectful approach; sometimes the center is never reached, as the paths encircle it completely (p. 125). • Barrie, T. (1996). Spiritual path, sacred space. Boston, MA: Shambhala Publications. Circumambulating Path

  7. The museum complex consists of: • 1 - Contemporary Art Museum • Scope of Work: Floors 1, 2, and 3: • - 1st floor = 10,540 sq. ft. • - 2nd floor = 10,540 sq. ft. • - 3rd floor = 9,540 sq. ft. • Total sq. ft. = 30,620 sq. ft. • 2 – Art storage and art studios • 3 – Children’s Art and Science Museum • 4 - Auditorium • 4 • 3 • 2 • 1

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