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Film Studies. More on auteurism tomorrow night. Film Theory & Criticism. Film Studies. Film Studies. Film Theory & Criticism. Film Theory & Criticism. Film Studies. Film Theory & Criticism. Film Studies. Film Theory & Criticism. Film Studies. Film Theory & Criticism. Film Studies.
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More on auteurism tomorrow night. Film Theory & Criticism Film Studies
Film Studies Film Theory & Criticism
Film Theory & Criticism Film Studies
Film Theory & Criticism Film Studies
Film Theory & Criticism Film Studies
Film Theory & Criticism Film Studies
Film Theory & Criticism Film Studies
Film Theory & Criticism Film Studies
Film Theory & Criticism Dr. Jeff Frame’s Dissertation Film Studies
Film Studies Film Theory & Criticism
Film Studies Film Theory & Criticism
Film Studies Film Theory & Criticism
Film Theory & Criticism Film Studies
Film Theory & Criticism Film Studies
Film Theory & Criticism Film Studies
Film Theory & Criticism Film Studies
Film Theory & Criticism Film Studies
Film Studies John Mckenzie, 1980 Now the film has brought us the silent soliloquy, in which a face can speak with the subtlest shades of meaning without appearing unnatural and arousing the distaste of the spectators. In this silent monologue, the solitary human soul can find a tongue more candid and uninhibited that in any spoken soliloquy, for its speaks instinctively, subconsciously. The language of the face [its "physiognomy"] cannot be suppressed or controlled. --Béla Balázs, Hungarian filmmaker and theorist Film Theory & Criticism Watch on the Film History Blog
Film Theory & Criticism Film Studies
Film Studies Film Theory & Criticism
Film Theory & Criticism Film Studies
Film Theory & Criticism Film Studies
Film Theory & Criticism Film Studies