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CEF Networks Workshop September 2010

CEF Networks Workshop September 2010. Tereza Cristina M. B. Carvalho University of São Paulo – USP, Brazil carvalho@larc.usp.br. Agenda. Networking – File 2009 Remote Mentoring – EUBR 2009. Networking - FILE 09. Overview Networking for 4K Film transmission.

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CEF Networks Workshop September 2010

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  1. CEF Networks WorkshopSeptember 2010 Tereza Cristina M. B. CarvalhoUniversity of São Paulo – USP, Brazilcarvalho@larc.usp.br

  2. Agenda • Networking – File 2009 • Remote Mentoring – EUBR 2009

  3. Networking - FILE 09 • Overview • Networking for 4K Film transmission. • Networking for HD video-conference.

  4. First 4K Film transmission in real time for 3 Continents: Film: “While the night does not come“ (“Enquanto a noite não chega”), by Beto Souza. Presentation in São Paulo duringFILE’09(International Festival of Electronic Language). Simultaneous transmissiontoUCSD (San Diego, USA)andKeio University(Yokohama, Japan): Partners:LARC-USP, CCE-USP, Mackenzie, RNP, UCSD e Keio. FILE 09 – Cinema 4K

  5. FILE 09 – Cinema 4K • 4K Cinema: • High-Resolution - 4X Full HD Resolution • Bandwidth of300-700 Mbpsfor compressed transmission withJPEG2000. • Q&A session: • Video-Conference in compressed HD (720p) with San Diego (~ 1 Mbps). • Video-Conference inuncompressed Full HDwithJapan(~ 1.3 Gbps).

  6. Plan B - Unicast VLAN assignments 2711: unicast SP <> UCSD 2712: unicast SP <> Keio 2713: unicast UCSD <> Keio T-LEXGOLE vlans 2712/3 vlan 2712 vlan 2713 vlans 2711/2 UMackenzie C-wave vlan 2711 Ampath GOLE USP

  7. IP assignments We use this layer 3 space: 2711 = 192.168.211.0 , 255.255.255.0 2712 = 192.168.212.0 , 255.255.255.0 2713 = 192.168.213.0, 255.255.255.0 If multiple parties (or if not) each entity takes the last octet space below: Calit2 takes .1-.63 Chicago take .64-.127 Brazil/path = .128-.191 KEIO/other = .192-.254 So 2711 vlan Calit2 would take 192.168.211.1-.63

  8. Remote Mentoring • Overview • Cinema Master Class • Music Master Class • Cultural Ring • Final Considerations

  9. Overview • Our first experience involved: • Brazil: • USP (University of São Paulo). • Spain: • UAB (Universitat Autonoma of Barcelona). • University Ramon Llull of Barcelona. • Music School of Sabadell. As far as we know it was the first Master Class of Art involving Brazil and Europe.

  10. Overview • Our goal is to foster Master Classes of Art among different international universities and institutions making use of the Internet. • The usage of sophisticated resources of Advanced Internet should not be mandatory. • Our first challengeis to promote the collaboration among professors and students in order to teach and learn arts using Internet. • When it is possible, the resources of Advanced Internet should be deployed.

  11. Overview • Combination of telepresence and conference tools, like DTVS and Conference XP, and HD quality digital formats for 35mm film were tested. • In the Music Master class, it was given priority to music (audio) over video. • Conference XP with uncompressed audio (CD quality ) and compressed video. • In the Cinema Master class, there was a balance between high quality video and sound. • Conference XP with compressed video.

  12. Cinema Master Class • Demonstrate how to use Internet as a medium to teach and learn about Cinema in an interactive way involving remote sites. • The film shown was “Spread through the Air” by Vera Egito. • Participation: • Prof. Esther Hamburgo - School of Communication and Arts of USP – Brazil. • Prof. Jordi Roigé - Facultat de Comunicació Blanquern  of the Universitat Ramon Llull, Barcelona – Spain. 

  13. Cinema Master Class Spread through the Air Directed by Vera Egito Indicated to participate in “Critics Week” at Cannes Festival, France

  14. Cinema Master Class Spread through the Air Directed by Vera Egito

  15. Piano Master Class • An interactive class involving students from University of São Paulo, Brazil and the Music School of Sabadell, Spain. • First Presentation: Preludio by Debussy • Second Presentation: Etude by Scriabin • Participation: • Prof. Jose Feghali - TCU (Texas Christian University), USA (He was in Brazil). • Prof. Eduardo Monteiro School of Communication and Arts of USP – Brazil. • Prof. Josep Gil - Music School of Sabadell, Spain.

  16. Piano Master Class Prof. José Fegahli Prof. Jose Feghali – Brazil and the piano student Eloi Marin - Spain

  17. Piano Master Class Prof. Jose Feghali – Brazil and the piano student Eloi Marin - Spain

  18. Piano Master Class Prof. Eduardo Monteiro

  19. Cultural Ring • Building an e-infrastructure for Arts and Culture in Europe and beyond. • Project by i2Cat Barcelona, Spain. http://www.i2cat.net • Brazil should participate • Some institutions such as Brazilian Cinemateca (National Archive for films), Cultural Center of São Paulo (similar to Pompidou Center in Paris), National Library of Rio de Janeiro, among others. • Support from RNP (National Network for Education and Research) and Ministery of Culture. • Open for International Participation

  20. Final Considerations • Our goal is to establish permanent collaboration between art institutions and schools from Brazil and other countries. • Investment on improving internalnetwork connections (fiber connections). • Need for training students and staff on video and audio transmission techniques.

  21. Final Considerations • Participation in the Cultural Ring initiative. • Collaboration with partners in CineCrid and Internet 2.

  22. USP Orchestra Thank You Muito Obrigada

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