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Introduction: Reading Russian film . Issues, Historical context. Two types of discontinuity. Technical innovation: sound, colour, hand-held camera (steadycam) Social and political breaks in evolution. Issues: function, organization, sociology.
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Introduction:Reading Russian film Issues, Historical context
Two types of discontinuity • Technical innovation: sound, colour, hand-held camera (steadycam) • Social and political breaks in evolution
Issues: Political role of film as form of dissent • Victor Tsoy: “Change” • Film: Assa • Dir. Sergei Solov’ov (1987).
Issues: Narrative vs non-narrative structure The Russian Ark Dir. Aleksandr Sokurov (2002)
Issues Relationship of film to other genres: theatre, literature, visual arts, TV TV Series Liquidation (2007)
Capitalist, commercial cinema • Entertainment predominated. Star system. • Melodramas, national sagas. • Private distributors and cinemas
October 1917 • Bolsheviks (Communists) seize power • Vladimir Lenin takes control of the new Soviet Russia
1918 – 1928 Early Experimental Soviet Cinema • Cinema nationalized. • “Avantgarde” political cinema: Pudovkin, Eisenstein, Dziga Vertov, Dovzhenko.
But…. Audiences prefer Douglas Fairbanks and Mary Pickford…
Mary Pickford’s Kiss… 1927 Canadian-born star Mary Pickford shoots cameo scene with Douglas Fairbanks in Moscow for Russian film starring Igor Ilinsky.
1928–1953 Stalinism – War – Cold War • Joseph Stalin seizes control of Soviet Union • Industrialization, collectivization, militarization • Preparations for the coming war with Germany
Film under Stalin 1928–1953 • Sound movies and musicals. • Tight political control, • 1935 - Union of film-makers. • Socialist realism. • Film as propaganda. • “Trophy” films seized in Germany.
The Circus (1936)Dir. Grigory Aleksandrov Soviets learn from Hollywood… • Most famous Soviet musical • Starring Liubov Orlova • Anti-racist message
“Trophy” films Marika Rökk The Girl of My Dreams (1944)
Post-Stalin Film 1953-1984 • Golden age of Soviet Cinema. • Influence of French and Italian cinema. • Mass production of high quality popular films: Georgy Danelia, Eldar Ryazanov. • “Elite” films with deeper intellectual content: Sergei Paradzhanov, Andrei Tarkovsky.
Mikhail Gorbachev1985-1991 • Perestroika brings radical change to the USSR • Opening up of country, end of Cold War • Party controls abolished
Perestroika 1985 - 1991 • Competition from video and TV (Porno, Rambo, Mexican and Brazilian soaps). • Distribution of banned films. • “Black Film” (“Chernukha”) • Collapse of film industry. • Breakdown of Soviet system.
Outof the archives TheCommissar dir. Aleksandr Askoldov (film shot in 1967, released 20 years later)
The Needledir. Rashid Nugmanov (1988) • Chernukha (“black” film) • Shows Soviet reality with the lid off.
Post-Soviet Russia 1991 • Capitalist film industry • Flood of American films in cinemas and video • Struggle to maintain Russian film industry • Alternative films and TV series.
The Night Watch (Nochnoy dozor)dir. Timur Bekmambetov (2004) “All that stands between light and darkness is the Night Watch.”
A Slave of Love (1976)Dir. Nikita Mikhalkov Clips: http://www.youtube.com/watch?v=CCXScj6QLK0&NR=1 http://www.youtube.com/watch?v=mfBThP4ZN8U&feature=related Entire film in Russian: http://zafilm.ru/smotret_online/5368_raba_lyubvi.html