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The Sixth Generation: Shaping New Horizons in Chinese Cinema

Explore the cultural map of Chinese film through the evolution of six generations of filmmakers, each leaving a unique mark on cinematic history. From the pioneers of the 1920s to the innovative new wave of the 1990s, witness the transition and transformation of Chinese cinema.

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The Sixth Generation: Shaping New Horizons in Chinese Cinema

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  1. The Sixth Generation • 1.Pioneers, around 1920s 张石川、郑正秋 • 2.The second generation, the disciples of the pioneers, around 1930s-1940s,蔡楚生、费穆 • 3. The third generation, around 1960, 谢晋、成荫、谢铁骊 • 4. The fourth generation, graduated before the Cultural Revolution and succeeded in the New Period. 张暖忻、吴贻弓、滕文骥、吴天明、谢飞、郑洞天、黄建中、黄蜀芹 • 5. The fifth generation, the Department of Professional Director 1978.陈凯歌、张艺谋、田壮壮、黄建新 • 6. The sixth generation or The new generation, who were born in 1960s. They were educated in 1980s and made films from 1990s.贾樟柯、王小帅、姜文、娄烨

  2. 1.Pioneers, around 1920s 张石川、郑正秋 • 1913 Die for Marriage ( 《难夫难妻》) The first feature film in China.Argument about the “First”

  3. 2.The second generation, the disciples of the pioneers, around 1930s-1940s,蔡楚生、费穆 • 蔡楚生《渔光曲》《一江春水向东流》 • 费穆《小城之春》 • Establishment of Chinese Aesthetics

  4. 3. The third generation, around 1960, 谢晋、成荫、谢铁骊 • Historical Regret • View of state and the family

  5. 4. The fourth generation, graduated before the Cultural Revolution and succeeded in the New Period. • 张暖忻、吴贻弓、滕文骥、吴天明、谢飞、郑洞天、黄建中、黄蜀芹Least Achievement / Longest Suffering Sacrifice for the youth

  6. 5. The fifth generation, the Department of Professional Director 1978. • 陈凯歌、张艺谋、田壮壮、黄建新 • “Conspire” with commerce under the artistic veil • Someone held the ground, also someone ran away.

  7. 6. The sixth generation or The new generation, who were born in 1960s, educated in 1980s and made films from 1990s. • 贾樟柯、王小帅、姜文、娄烨 New Power New Hope • Platform • Shanghai Dreams • In the Heat of the Sun • Suzhou River

  8. Cultural map of Chinese Film

  9. The WILL: of History and Individual • The world as will and representation • 1964~1978 San Xian Construction ____ the Third-Front Construction • 1966~1976 The Cultural Revolution • 1979~1989 The Reform and Opening up

  10. In the heat of the sun1994 • Individual case & Particular case • Youth collection on the roof • Pure memory • The desire is the last hope for redemption when the individual was erased in a grand unified ideology.

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