Setting

1. Setting Where and when

2. Mood The village lay under two feet of snow, with drifts at the windy corners. In a sky of iron the points of the Dipper hung like icicles and Orion flashed his cold fires. The moon had set, but the night was so transparent that the white house-fronts between the elms looked grey against the snow, clumps of bushes made black stains on it, and the basement windows of the church sent shafts of yellow light far across the endless undulations.

3. Projection She could see in the open square before her house the tops of trees that were all aquiver with the new spring life. The delicious breath of rain was in the air. In the street below a peddler was crying his wares. The notes of a distant song which some one was singing reached her faintly, and countless sparrows were twittering in the eaves.

4. Enveloping Action       It was lovely in bed with the air so cold and clear and the night outside the window. We slept well and if I woke in the night I knew it was from only one cause and I would shift the feather bed over, very softly so that Catherine would not be wakened and then go back to sleep again, warm and with the new lightness of thin covers. The war seemed as far away as the football games of some one else's college. But I knew from the papers that they were still fighting in the mountains because the snow would not come.