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A Moving Story Picturing Migration and Immigration in Nineteenth and Twentieth Century American Art. Wendy Greenhouse, PhD. Emanuel Leutze, Washington Crossing the Delaware , 1851. Thomas Hovenden , Breaking Home Ties , 1890. Norman Rockwell, Breaking Home Ties , 1954.
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A Moving StoryPicturing Migration and Immigration in Nineteenth and Twentieth Century American Art Wendy Greenhouse, PhD
Thomas Hovenden, Breaking Home Ties, 1890 Norman Rockwell, Breaking Home Ties, 1954
William S. Jewett, The Promised Land--The Grayson Family, 1850
“A ‘Dead Rabbit,’ “ 1857 George Henry Hall, A Dead Rabbit (Study of the Nude or Study of an Irishman), 1858 Irishman), 1858
De Scott Evans, The Irish Question, circa 1880s
Eastman Johnson, A Ride for Liberty--The Fugitive Slaves, circa 1862
Lily Martin Spencer, The Home of the Red, White and Blue, circa 1867-68
Thomas Nast, “Every Dog (No Distinction of Color) Has His Day,” 1879
Charles Frederic Ulrich, In the Land of Promise, Castle Garden, 1884
Jewish women immigrants examined at Ellis Island, circa 1911
F. Victor Gillam, The Immigrant—Is He an Acquisition or a Detriment to Me?, 1903
Jacob Riis, Italian Mother and Baby, Ragpicker, New York, circa 1889-90
Still image and poster from Charlie Chaplin’s short film The Immigrant, 1917
AbasteniaSt. Leger Eberle, Avenue A (The Dance of the Ghetto Children, circa 1914Girl Skating, 1906
George Bellows, Paddy Flanagan, 1908 Robert Vonnoh, Companion of the Studio, 1888
Ralf Christian Henricksen, Americanization of Immigrants, 1940
Dorothea Lange, migrant family on road, 1936 Lange, Destitute Peapickers in California , known as Migrant Mother, 1936
Dorothea Lange, Members of the Mochida family awaiting evacuation bus, 1942