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Spanish hungaricum! Teasing love in one act

Federico García Lorca: Don Cristóbal and Doña Rosita , or Sir Christopher ’s and Rozika’s tragicomedy (1923 ). Spanish hungaricum! Teasing love in one act. FRIEND 1

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Spanish hungaricum! Teasing love in one act

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  1. Federico García Lorca: Don Cristóbal and DoñaRosita, orSir Christopher’s and Rozika’s tragicomedy (1923) Spanish hungaricum! Teasing love inoneact

  2. FRIEND 1 Ladiesand Gentlemen, attention! PleaseSon, shutyourlittlemouth, and you, littlegirl, sit down, byallthat’s unholy.

  3. Friend2 Nowhushsothesilencecangrowasclearasifitwereinitsownspring. Hushsothedregs of thelastwhisperscansettle down.

  4. FRIEND 3 Nowthesilence is talking. Becauseinvisible is strongerthanvisible! The language is the house of existence! Menlivespoetically! Poets and intellectualsaretheguards of this house.Here is thenoise!

  5. Friend4 Butoneday, throughthekeyhole, I saw a startwinklinglikealittlefreshviolet of lightallaglow. Then I told myfriendsaboutit, and weranaway over thefields, lookingfortheplainpeople, to show themthethings, thelittlethings, and theleastlittlethings of thisworld.

  6. friend5 The great performance entitled „Tragicomedy of Don Cristóbal and MissRosita” is abouttobegin. Spanish hungaricum! Teasing love inoneact. It’s like a burlesquePuppet show insixpictureswith a warning. This is whatyouhearnow, isthewarning.

  7. cloud-chaser Be readytoputupwiththemeantemper of thatlittle fist shakerCristóbal, and toweep over thesadlot of MissRosita. Let’s begin! And now, wind! Fan alltheseastonishedfaces, carryeverysighhighabovethemountaintops and drythosefreshtearsintheeyes of theyoungladieswhohave no sweethearts.

  8. ACT 1, SCENE 1

  9. scenery FIRST ACT A downstairsroominDonaRosita’s house. A largewindowwithawrought-irongrating, and a door.

  10. GRATED WINDOW 1 Throughthegrates a smallorange-grovecan be seen.

  11. GRATED WINDOW 2 No! Throughthegratestwoorangewoodscan be seen!

  12. scenery Whenthecourtainsgoingup, right nowshe is sittingat a largeframe, embroidering. Embroideryframe, comein!

  13. EMBROIDERY FRAME ComeRosita, doembroidery!

  14. ROSITA I’m coming, running. Here I am already! Sowhereshould I sit?

  15. scenery Oh, I’veforgotten. I am thechair. I’m theonlyonewhocansay: usedto be a human, butnow a chair. Hey, stop movingaround, start sewing!

  16. ROSITA One, two, three, four Ouch! The finger! The finger! Fourtimes I’veprickedmyself.YoushouldpokemeonFacebook! It’s certainlytruethatembroidery is hardwork.

  17. EMBROIDERY FRAME Oh! Ouch! It is trulydifficult. Verydifficult. Especiallyforme! Hey, stop prickingme! Don’t tickle!

  18. ROSITA I’m boredwithembroidering! I’m boredwithyou! So, get out! Out! One, two! Go! Go! Go! Oh how I’d liketogetmarried! I’d dressupwith a yellowflower and a veiltrailingthroughthewholestreet. Oh ohoh! My love! Here is the part whereRositarunstothegrate. I say: Rositarunstothegrate.

  19. SCENE 2

  20. Mother Rositaaaaaaa!

  21. ROSITA Wha-a-at?

  22. MOTHER I waswonderingifyouweredoingyourembroidery... Whatarethese stupid gratesdoing here? Letthem go away!

  23. GRATED WINDOW 1 & 2 Alright, so, we’reaway. Wherewe’reneeded, and wherewearen’t. He!

  24. MOTHER Whyareyounotembroidering? Workmydaughter, forthat’s howwemakeourliving! Oh, howweneedthemoney! Of thefivebagsfullofmoneyweinheritedfromyourunclethepriest, there’s notthismuchleft!

  25. ROSITA Oh, mybishopuncle! And oh, how he couldwhistle. I say: How he couldwhistle! Likea canary! What’s if, thecanarysings?

  26. MOTHER I don’t know, mydaughter!

  27. ROSITA It’s a male-aria.

  28. MOTHER Butdaugter, what’s thatyou’resaying? Haveyougonecrazy? Orareyoucompletely stupid?

  29. ROSITA No, no I’ve made a mistake…

  30. MOTHER Oh, Rosita, howdeepindebtweare. Whatwillhappentous?! Ifyou’d atleastconsidergettingmarried…but I suppose, justnow…

  31. ROSITA Why, that’s justwhat I havebeenconsidering.

  32. MOTHER Really? Well, itstandsmeingoodstead. Soyouagreethen.

  33. ROSITA Yes, mother.

  34. MOTHER And youwon’t changeyour mind?

  35. ROSITA No, mother.

  36. MOTHER And you’llalwaysdoas I say?

  37. ROSITA Yes, mother.

  38. MOTHER Well, that’s all I wantedtohear.I’m savedfromruin. saved!

  39. ROSITA Whatdoesitmean, „I’m savedfromruin, saved?!” Because, mysweetheart, Cocoliche, has even less moneythanwedo. Muchless. He inheritedfromhisgrandmotheronly a boxof quincejelly…nothingelse! Oh, but I love, love, doublelovehim! Dirtyold money. That’s forthe rest of theworld. I’lltake love. Bars, comehere! Cocoliche! Cocoliche!

  40. SCENE 3

  41. The bar-way is paintedgreen (singing) The bar-way is paintedgreen.I go thereeveryblessedevening.Mydear, I couldn’t bearwaitingforyou, once more waiting,The bar-way had to be closed.

  42. GRATED WINDOW 1 You’restupid! Can’t youseethatit’s notgreen and not a gate, butawindow!

  43. GRATED WINDOW 2 You’restupid! Can’t youseethatit is a schoolnoticeboard! Webroughtitfromclass 9.B…

  44. GRATED WINDOW 1 Ah! Really?

  45. GRATED WINDOW 2 Of course! Clear: thesunshinesthroughit, orthelamplight. Clear, thatyou’resodark.

  46. COCOLICHE Halt, whogoesthere?

  47. ROSITA A friend.

  48. COCOLICHE Well, theymaydohergood.

  49. ROSITA And wouldyouhave had theheartto go?

  50. COCOLICHE I couldn’t have. Byyourside, myfeetbecome lead.

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