1 / 16

Elementary Terms of Indian Music

Elementary Terms of Indian Music. Swara - Musical note Shuddha Swara - Natural note Komal Swara - Flat note Teevra Swara - Sharp note Vadi Swara - Most prominent note used in the raga. Samvadi Swara - Prominent note but less than vadi.

kedem
Download Presentation

Elementary Terms of Indian Music

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. Elementary Terms of Indian Music Swara - Musical note Shuddha Swara - Natural note Komal Swara - Flat note Teevra Swara - Sharp note Vadi Swara - Most prominent note used in the raga. Samvadi Swara - Prominent note but less than vadi. Anuvadi Swara - Other than vadi and samvadi.

  2. Vivadi Swara - Prohibited swara but sometimes is used to beautify the raga in rare cases. Varjit Swara - Swaras which are not used. Nyas Swara - Resting note. Saptak - Set of seven swaras Madhya Saptak - Swaras between tonic to higher tonic, in other word Madhya Sa to Tar Sa. Mandra Saptak - Swaras below tonic Tar Saptak - Swaras above higher tonic.

  3. Aroha - Ascending order of swaras Avaroha - Descending order of swaras Pakad - Particular note combination by which a raga is recognized. Jati - Depends on the usage of swaras of a raga in ascending and descending order. Sampurna Jati - Seven swaras in Aroh & Avaroh Shadav Jati - Six swaras in Aroh & Avaroh Audav Jati - Five swaras in Aroh & Avaroh.

  4. What is a That ? The literal meaning of That is “personality or outer appearance”.

  5. THE DISTINCTIVE FEATURES OF THAT That • A that sould always be sampurna i.e. it should possess seven swaras or musical notes. • These seven swaras should be in perfect order such as ‘Sa, Re, Ga, Ma, Pa, Dha, Ni.’ • A that must be capable of giving birth to a raga. • A that is not supposed to have both Aroha and Avaroha. Rather it has only an Aroha of 7 swaras. • A that can include Komal (flat (sign of flat - RG) ) and Tivra (sharp (sign of sharp – M)) form of the same note.

  6. Musical Notes of each That(That is never sung. It just shows the swaras) . 1. Bilaval – S R G M P Dh N S . 2. Kalyan - S R G M P Dh N S . • Khamaj – S R G M P Dh N S . 4. Bhairav – S R G M P Dh N S . • Kaphi – S R G M P Dh N S . 6. Asavari – S R G M P DhN S . 7. Poorvi – S R G M M P Dh N S . 8. Marwa – S R G M P Dh N S . 9. Todi - S RG M P Dh N S . 10. Bhairvi – S RG M P DhN S Swaras which are not having any sign are natural swaras.

  7. What is a Raga? A Raga means that which gives us pleasure and ultimately leads to spiritual sublimity.

  8. THE DISTINCTIVE FEATURES OF RAGA Any and every tune can not be called a Raga unless it obeys the following distinctive conditions- • Every raga must belong to its Janak That. • A raga should have at least 5 swaras and maximum 7 swaras. For this purpose they have been allotted Jati such as, the ragas having five swaras belong to Audav Jati, having six swaras belong to Shadav Jati, having seven swaras belong to Sampurna Jati. These 3 further give birth to interelated 9 kinds. • Every raga must have its Vadi, Samvadi and Anuvadi Swaras. Vadi is the chief swara, Samvadi is next to Vadi in importance and the remaining swaras are known as Anuvadi.

  9. What is a Khyal? The term khyal means “imagination’ and it is the most important form of musical composition for the last two hundred years and more, it has almost monopolized the attention of the best musical brains. Khyal was the product of the combination of music style of Hindus and Muslims. It was liked by both. Soon it became very popular with the rulers and courtiers to enjoy its popularity even to this day. As against Dhrupad and Dhamar , it is more imaginative than technical. In this type of singing, the rules are relaxed. The compositions of Khyal are more romantic and an artist can add one’s own his or her imaginative patterns in this form .

  10. Universal Musical Notes C D E F G A B C Do Re Mi Fa So La Si Do Indian Musical Notes . Sa Re Ga Ma Pa Dha Ni Sa

  11. Distinctive Features of Raga Bhairav • Raga - Bhairav • That - Bhairav • Jati - Sampurna (using all notes in ascending & descending order) • Vadi - Dha • Samvadi - Re • Swaras - R, Dh Komal, rest of the swaras are Shuddha (natural) • Varjit Swara - No one • Nyas Swaras - Dh, R, P and M • Similar Ragas - Kalingara and Ramkali • Time to sing - Early morning

  12. Bhairav is one of the oldest ragas of classical Indian music. We find its references in all old musical books. It is one of the six old ragas which have been mentioned as Raga and Ragini scheme in our old Indian treatises.

  13. Its Vadi Swara is Dh which is mostly used and Samvadi is R. Raga Bhairav is sung in early morning i.e. between 4 to 7 a.m. It is therefore called morning Sandhiprakash Raga (or morning down). It is of very serious nature and has the same effect on the listeners. Vilambit and Drut Khyal suit most in raga Bhairav. Dhrupad and Dhamar are also sung in this raga.

  14. Raga Bhairav is an Ashray Raga its that Bhairav. Raga Bhairav uses R and Dh Komal. These two swaras R and Dh are used resting and stressed again and again which indicate Bhairav. For example - G M. . . R . . . . . S R . . S. G M. . . Dh . . . . . P.

  15. Sometimes Pancham or P is not used in its Aroha such as G M Dh N. Mostly Gandhar or G is Vakra in its Avaroha such as - M P G M R . . . . S.

  16. Raga Bhairav Aroha - Sa, Re, Ga, Ma, Pa, Dha, Ni, Sa Avaroha – . Sa Ni Dha Pa Ma Ga Re Sa Particular Note Combination – G M Dh,. . . P, G M R . . . .S

More Related