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Lived City (2): Love and Desire on Urban Margins

Lived City (2): Love and Desire on Urban Margins. The Caribbean Experience in Toronto -- “I’m Running for my Life”. Outline. Margins and Minorities: The Caribbeans in Toronto Regent Park and “Canadian Experience” “I’m Running for my Life” by Austin Clarke.

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Lived City (2): Love and Desire on Urban Margins

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  1. Lived City (2): Love and Desire on Urban Margins The Caribbean Experience in Toronto -- “I’m Running for my Life”

  2. Outline • Margins and Minorities: The Caribbeans in Toronto • Regent Park and “Canadian Experience” • “I’m Running for my Life” by Austin Clarke

  3. Caribbean Immigrants in Canada: Background (1) • Early Immigrants: student and (female) domestic help e.g. A. Clarke and May in “Running for my Life” • Three factors of changes in the 60’s • Canadian immigration laws • Great Britain was closing its doors; deterioration of racial relationships there • the steady decline of the British economy

  4. Caribbean Immigrants in Canada: Background (2) --Toronto • Ideal of multiculturalism vs. reality of racism (e.g. Vertical Mosaic; “Toronto: The Meeting Place”) • Ethnic Areas in Toronto City: Bloor Street, Little Italy, Chinatown, Cabbagetown, etc. (see map) • differential incorporation; e.g. housing, salary • 1996: 83% of the Caribbeans had yearly income falls under 25,000; • 1996: 14% of European-origin families live below the LICO (Low Income Cut Off), 32% for Aboriginals, 35% for South Asians, 45% for Africans, Blacks and Caribbeans • direct racism: e.g. police brutality (e.g. Mr. Johnson in “Running” 78)

  5. East End -- • the Don Valley Parkway –the route the commuters take to go downtown. “Few find any reason to stop in the east end, one of the poorest neighborhoods in the city.” • To the north is Regent Park. In the 1940's, blocks of poorly maintained houses were demolished and replaced by Canada's first major public housing project. Although it was much praised on its completion in 1957, it quickly went downhill, and now 72% of the residents live below the poverty line. (source: Neighborhoods in Toronto e.g. Eastern and Bayview vs. Rosedale)

  6. Caribbean Immigrants in Canada (3): Multiple Voices • House party (fete) and Caribana • As means of strengthening a sense of community; • the venues for illegal activities • Multiculturalism • Brand against it: Neil Bissoondath認為多元文化政策造成「一種加拿大式的、溫和的、文化種族隔離政策」(Hutcheon 315); Brand 也認為它將加勒比海裔分隔開來,「沒有處理真正的〔政治、經濟上〕的權力問題」(Hutcheon 274)。 • Austin Clarke thinks that the immigrants are partly responsible for their failures.

  7. Toronto: The Ethnic Areas vs. the White Center U of T Eaton Center

  8. Regent Park • “Canada's first and the largest social housing project or a social engineering project” • “The recent Regent Park Revitalization Plan is also viewed and undertaken as a pilot Canadian social re-engineering effort” (source)

  9. Downtown Toronto: Multiple Culture & Power Center East

  10. Regent Park: Past and Present Image source: Left, Right

  11. Example 1: Rude (1995) • Director: Clement Virgo • Setting: Regent Park • Story: 3 stories respectively about a boxer, a window dresser and an ex-convict over the course of an Easter weekend. The stories are connected through a underground female DJ named Rude.

  12. Example 2: “Canadian Experience” • Canadian Experience: a catch-22 situation– you need to have “Canadian experience” in order to get hired. • The protagonist’s experience of -- the apartment and its lack of privacy -- the elevator (doors closed like “two black hands”) -- immigration as degradation (life back home vs. present situation) -- the railway as a black river.

  13. Writer of “Canadian Experience” and “I’m Running for My Life” Born in Barbados in 1934 and came to Canada to attend university in 1955. He has had a varied and distinguished career as a broadcaster, civil rights leader, and professor. Clarkes has dealt extensively with the lack of roots and ruins in the lives of immigrants in Canada, and the consequent damage to the psychological and emotional health of these men and women. (Harney 131) Austin Clarke

  14. "I'm Running for My Life" • Plot: two days – • May in the master’s bedroom, haunted by guilt; (pp. 75-81) • May, trying to find the “presence” in the house, finds the master in the basement. (81- ) • May: What does May do in the master’s bedroom at the beginning of the story? (76, 77) What does she want? What does she feel about the house? And what is she afraid of? (e.g. p. 76-80) 2.Master-Servant Sex: How is she related to Mr. Moore on the first day, and at the sex scene? (80, 85-) Aftermath: How does May feel after the sex? -- May goes tearfully to her friend Gertrude to confess her "sin." 3.-- Gertrude: claims that it is a sexual assault that May experiences. What do you think? What do you think Clarke wants to convey here?

  15. May's Action & Her Contradictory Feelings • What does she feel about being in the bedroom: 75-76) • With her want and hate: desiring social upgrading—75 • Remorse -- Christian way of thinking 76 -- Covetousness? Theft? Dishonoring? • Trying to ignore it (79-80) “safe now” “a new woman” • What does she do? • Material needs: trying on the mistress’ dresses and pantyhose p. 77, possessing them in her mind. • Curiosity: Answering a phone call; Curious about the book, The Joy of Sex • Hiding under the bed  Repressed desire for the master and to replace the wife?

  16. May's contradictory feelings toward her master • About the wife’s possession (77) • About the man’s loneliness: Loyalty, pity and sympathy for the man (80) • Feeling naked (80) –Why? • The basement encounter (85) • The aftermath: 1) a new kind of life; 2) guilt over adultery; 3) “CONFIDENTIAL”

  17. Mr. Moore’s Views of May • appreciative of her, but neglectful p. 80-81; • sexual desire for a colored woman 86, 87 • sense of deficiency when having sex with his ex-wife p. 87 •  yearns for the experience, wants to avoid it; 87 • feels re-invigorated 88

  18. Personal Desires in a Social Context: May’s Social Position May's feelings about the house • Fear of the house: its emptiness and coldness, like a tomb;  Cultural Difference? • a presence  her intuition of the master’s desire? • Indian blanket 92 (murder?); 82-83

  19. The Aftermath: Two Interpretations • May's explanation: pp. 88-89 • guilt over adultery being a moral Christian • newness and love in her a loving individual • the Indian blanket transgression • her fear and fantasy and her readings of recent horrors (86)  social determination • Gertrude's responses -- concern for her own work; 94; master and slave 95

  20. Contrast between May and Gertrude • May– weak in need of help; relies on external supports such as frying pan and house slipper; controlled ideologically to desire being accepted by white society/masters • Gertrude – jumps into conclusion. But is she totally wrong?

  21. Ironies • Mr. Moore, • too weak, too invigorated; peace, wanting to die • the words “Confidential” “Pictures” “Photos” “Term Papers”  signs of memory and power • May: tears p. 96  a controlled woman unable to see her submission to power or her own power.

  22. References • Ethno-Racial Inequality in the City of Toronto: An Analysis of the 1996 Census • http://www.toronto.ca/diversity/rt-ae-bibliography.htm

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