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Interval of 6th. Descending step movement. Sequence of opening tune one step lower. 3 note motif. Bars 1 – 20 1 st Subject. Crotchet pattern outlining chord V. Woodwind in octaves. chord I. chord V. chord I. Repeated woodwind chords. Altered 1 st subject theme from here.
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Interval of 6th Descending step movement Sequence of opening tune one step lower 3 note motif Bars 1 – 20 1st Subject
Crotchet pattern outlining chord V Woodwind in octaves chord I chord V chord I
Repeated woodwind chords Altered 1st subject theme from here Bridge Passage (20 – 44) Dominant pedal
Forte Sustained woodwind chords Horns enter for the 1st time modulating Violins play triads one bar descending sequence No sharps Perfect cadence Relative major Bb major
sfortzando Dominant pedal (f)
2nd Subject (44 – 72) Perfect cadence Thinner instrumentation Pathetique mood Sighing mood Chromatic melody V - I Bb Major
Repeated one bar phrase Woodwind now play theme without the oboes Ab major dominant 7th chords
trill Crescendo – getting louder Unison strings Chromatic ascending quavers Ic V7 I Chromatic bass Bb major
Descending quaver pattern Codetta 73 - 100 1st subject motif 2nd part of 2nd subject 1st motif stretched = augmentation (upper strings) Canon lower strings
Codetta idea repeated Perfect cadence V – I Bb major
Homophonic texture V - I V
F# minor (Link) Pivot chord chromatic chords Dominant 7th G minor chord motif octaves I V - I V - I V - I G minor chord Diminished 7th chord Exposition repeated
Sustained chromatic chords Sequence
E minor A minor theme Countermelody (Staccato) theme
D minor G minor C major Countermelody swapped
F major Bb major
3 note motif of 1st subject Dialogue (question and answer) Thinner texture Dominant pedal
pedal pedal Recapitulation – identical 1st 20 bars in G minor
Eb Major V - I Extended Bridge Passage to 51 bars rather than 24 (184 – 227) to provide balance
F minor New Quaver Counter melody bassoons main theme violins Parts swap over bar 198 Tutti Forte section bars 191 - 227 Theme split upper and lower parts
Eb major Theme split upper and lower parts
G minor 211 – 227 same as 28 - 43 but this time in tonic key
One bar rest adds to the drama of expectation Texture and dynamics reduced Theme shared between woodwind and strings 2nd subject now in tonic key 227 - 241
Dominant pedal 241-245 extension section modulates to Eb major
Rising version of the theme heard at 66 - 72 Ic –V- I in G minor
Augmentation of 1st two notes in strings 3 note motif of theme passed between clarinet bassoon and flute
V - I Scalic flourish
Small fragments of 1st subject Forte passage interrupted by a quiet passage
4 strong final chords to end Tutti homophonic ending on chords I and V in G minor