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ENGL 6750/7750 Film Studies

Movies vs. Television. July 23, 2013. ENGL 6750/7750 Film Studies. Movies vs. TV: Blue Velvet (David Lynch, 1986) versus Twin Peaks (ABC, 1990-1991 ). Movies vs. Television. ENGL 6750/7750 Film Studies. David Lynch (1946- ) “Jimmy Stewart from Mars”—Mel Brooks

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ENGL 6750/7750 Film Studies

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  1. Movies vs. Television July 23, 2013 ENGL 6750/7750 Film Studies
  2. Movies vs. TV:Blue Velvet(David Lynch, 1986) versus Twin Peaks(ABC, 1990-1991) Movies vs. Television ENGL 6750/7750 Film Studies
  3. David Lynch (1946- ) “Jimmy Stewart from Mars”—Mel Brooks Born in Missoula, Montana, the son of a Boy Scout executive. Movies vs. Television
  4. xxxxxxxx Movies vs. Television
  5. xxxxxxxx Movies vs. Television
  6. xxxxxxxx Movies vs. Television
  7. Movies vs. Television
  8. Movies vs. Television
  9. Blue Velvet(David Lynch, 1986) Movies vs. Television ENGL 6750/7750 Film Studies
  10. Blue Velvet(David Lynch, 1986) Watch Blue Velvet’s Famous Opening Sequence on Amazon Prime. Movies vs. Television ENGL 6750/7750 Film Studies
  11. Blue Velvet(David Lynch, 1986) Kyle MacLaclan (Jeffrey Beaumont) Movies vs. Television ENGL 6750/7750 Film Studies
  12. Blue Velvet(David Lynch, 1986) The Blue Lady/Dorothy Vallens (Isabella Rossellini) Performs Movies vs. Television ENGL 6750/7750 Film Studies
  13. Blue Velvet(David Lynch, 1986) Laura Dern (Sandy Williams) Movies vs. Television ENGL 6750/7750 Film Studies
  14. Blue Velvet(David Lynch, 1986) Frank Booth (Dennis Hopper) Movies vs. Television ENGL 6750/7750 Film Studies
  15. Blue Velvet(David Lynch, 1986) Frank Booth (Dennis Hopper) Menaces the Blue Lady (Isabella Rossellini) Movies vs. Television ENGL 6750/7750 Film Studies
  16. Blue Velvet(David Lynch, 1986) Watch on Amazon Prime. Ben (Dean Stockwell) is “fu$#ing suave” (1:19 in) Movies vs. Television ENGL 6750/7750 Film Studies
  17. Blue Velvet(David Lynch, 1986) Watch on Amazon Prime. The Final Scene (1:57:58 in) Movies vs. Television ENGL 6750/7750 Film Studies
  18. Blue Velvet(David Lynch, 1986) “This is American darkness - darkness in color, darkness with a happy ending. Lynch might turn out to be the first populist surrealist - a Frank Capra of dream logic.“ "Maybe I'm sick, but I want to see that again." (audience member overheard by Kael after a screening of Blue Velvet) Pauline Kael Movies vs. Television ENGL 6750/7750 Film Studies
  19. Twin Peaks(ABC, 1990-1991) Movies vs. Television ENGL 6750/7750 Film Studies
  20. Film Studies Movies vs. Television
  21. Watch the Famous Dream Sequence on Amazon Prime (membership required) Watch the Revelation of BOB and the Murder of Maddyon Amazon Prime (membership required) Movies vs. Television
  22. Movies vs. Television
  23. Movies vs. Television
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  27. Movies vs. Television
  28. Movies vs. Television
  29. The Owl Cave Petroglyph Movies vs. Television
  30. Movies vs. Television 51, 201 5,120.1
  31. “The series that will change TV.” Rodman, Warren. "The Series that Will Change TV." Connoisseur, September 1989: 139-44. Movies vs. Television
  32. Movies vs. Television
  33. Movies vs. Television
  34. Movies vs. Television
  35. “I have never been able to sit through a whole episode of Twin Peaks. It's a postmodern soap opera, which means that every time someone on screen eats a piece of apple pie, you can hear a thousand students start typing their doctoral dissertations on ‘Twin Peaks: David Lynch and the Semiotics of Cobbler.’” Libby Gelman-Waxner, Premiere magazine Movies vs. Television
  36. “. . . you can hear a thousand students start typing their doctoral dissertations on ‘Twin Peaks: David Lynch and the Semiotics of Cobbler.’” Libby Gelman-Waxner, Premiere magazine Movies vs. Television
  37. Sir Paul, The Queen, and Twin Peaks Movies vs. Television
  38. Movies vs. Television
  39. Mark Frost (1953- ) Movies vs. Television
  40. Lynchian. David Foster Wallace on Lynch’s style as a filmmaker: “both extremely personal and extremely remote” “the absence of linearity and narrative logic” “the heavy multivalence of the symbolism” “the glazed opacity of the characters’ faces” “the weird ponderous quality of the dialogue” “the regular deployment of grotesques as figurants” “the precise, painterly way scenes are staged and lit” “the overlush, possibly voyeuristic way that violence, deviance, and general hideousness are depicted” Movies vs. Television
  41. Twin Peaks DNA: “dreamy, cinematic (rather than televisual) style, slow pacing, extreme violence, emotional excess, disturbing sexuality, strung-out narrative, accentuation of subtext, controversial subject matter, lush scoring, uncanny dream sequences, the demand for complete attention it placed upon television viewers accustomed to distraction,” its reliance on “a particular kind of irony where the very macabre and the very mundane combine in such a way as to reveal the former’s perpetual containment in the latter” (David Foster Wallace). Movies vs. Television
  42. The Characters Film Studies Movies vs. Television
  43. Movies vs. Television
  44. Annie Blackburne (Heather Graham) Twin Peaks Characters Movies vs. Television
  45. BOB (Frank Silva) Twin Peaks Characters Movies vs. Television
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  47. Denis(e) Bryson (David Duchovny) Twin Peaks Characters Movies vs. Television
  48. Gordon Cole (David Lynch) Twin Peaks Characters Movies vs. Television
  49. FBI Special Agent Dale Cooper (Kyle MacLachlan) Twin Peaks Characters Movies vs. Television
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  51. James Hurley (James Marshall) Twin Peaks Characters Movies vs. Television
  52. The Log Lady (Catherine Coulson) Twin Peaks Characters Movies vs. Television
  53. Man from Another Place (Michael J. Anderson) Twin Peaks Characters Movies vs. Television
  54. Laura Palmer (Sheryl Lee) Twin Peaks Characters
  55. Leland Palmer (Ray Wise) Twin Peaks Characters
  56. The World’s Oldest Bellhop (Hank Worden) Twin Peaks Characters
  57. Twin Peaks (USA: ABC, 1990-1991): Season One
  58. Twin Peaks (USA: ABC, 1990-1991): Season Two
  59. Twin Peaks (USA: ABC, 1990-1991): Season Two
  60. Twin Peaks (USA: ABC, 1990-1991): Season Two Twin Peaks: Fire Walk with Me (David Lynch, August 1992)
  61. Lesli Linka Glatter 2011 TheChicagoCode 2009-2010 LietoMe 2007-2010 MadMen (6 episodes) 2010 TrueBlood 2010 PrettyLittleLiars 2010 TheGoodWife 2007-2009 HouseM.D. 2009 TheMentalist 2009 Weeds 2009 TheUnit 1995-2008 ER (13 episodes) 2008 TheStarterWife 2008 Swingtown 2007 Journeyman 2007 Heroes 2007 Heartland 2006 Studio 60 ontheSunsetStrip
  62. Lesli Linka Glatter (continued) 2006 TheCloser 2006 TheEvidence 2002-2006 TheWestWing (8 episodes) 2005 Grey'sAnatomy 2005 Numb3rs 2005 TheO.C. 2000-2002 GilmoreGirls (5 episodes, including the Pilot) 1999-2001 Law & Order: SpecialVictimsUnit 2000 FreaksandGeeks 1998 BrooklynSouth 1996 MurderOne 1995 NowandThen 1994 NYPDBlue 1992 OntheAir (TV mini-series) 1990-1991 TwinPeaks
  63. Paratexts
  64. The Secret Diary of Laura Palmer, written by Lynch’s daughter Jennifer (pictured)
  65. The Autobiography of F.B.I. Special Agent Dale Cooper: My Life. My Tapes
  66. Diane: The Twin Peaks Tapes of Agent Cooper
  67. Welcome to Twin Peaks: Access Guide to the Town
  68. Saturday Night Live Twin Peaks Parody, September 1990
  69. There’s No Place Like Home: Twin Peaks’ Oz Promo
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  75. Contributors | Acknowledgements Introduction: "The Semiotics of Cobbler: Twin Peaks'  Interpretive Community | David Lavery Bad Ideas: The Art and Politics of Twin Peaks |  Jonathan Rosenbaum The Peaks and Valleys of Serial Creativity: What Happened to/on Twin Peaks | Marc Dolan "Do You Enjoy Making the Rest of Us Feel Stupid?" alt.tv.twinpeaks, the Trickster Author, and Viewer Mastery | Henry Jenkins Family Romance, Family Violence, and the Fantastic in Twin Peaks | Diane Stevenson "Disturbing the Guests with This Racket": Music and Twin Peaks | Kathryn Kalinak The Canonization of Laura Palmer | Christy Desmet Lynching Women: A Feminist Reading of Twin Peaks | Diana Hume George Double Talk in Twin Peaks | Alice Kuzniar Infinite Games: the Derationalization of Detection in Twin Peaks | Angela Hague Desire Under the Douglas Firs: Entering the Body of Reality in Twin Peaks | Martha Nochimson The Dis-order of Things in Twin Peaks | J. P. Telotte Postmodernism and Television: Speaking of Twin Peaks | Jimmie L. Reeves, et al Appendix A: Directors and Writers | Appendix B: Cast List | Appendix C: Abbreviations | Appendix D: A Twin Peaks Calendar | Appendix E: Twin Peaks Scene Breakdown | Bibliography
  76. The Peaks and Valleys of Serial Creativity: What Happened to/on Twin Peaks | Marc Dolan
  77. "Do You Enjoy Making the Rest of Us Feel Stupid?" alt.tv.twinpeaks, the Trickster Author, and Viewer Mastery | Henry Jenkins
  78. Henry Jenkins (1958- ).
  79. Family Romance, Family Violence, and the Fantastic in Twin Peaks | Diane Stevenson Edward Said
  80. Infinite Games: the Derationalization of Detection in Twin Peaks | Angela Hague
  81. Postmodernism and Television: Speaking of Twin Peaks | Richard Campbell, Jimmie L. Reeves, et al
  82. "Disturbing the Guests with This Racket": Music and Twin Peaks | Kathryn Kalinak
  83. Angelo Badalamenti “Secrets from Another Place: Creating Twin Peaks”—”Where We’re From: Creating the Music” 1:28-5:47
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  85. David Lavery, Peaked Out Maria M. Carrion (Columbia University), Twin Peaks and the Circular Ruins of Fiction: Figuring (Out) the Acts of Reading Melynda Huskey (Washington State University), Rewriting the Sensation Novel Lenora Ledwon (University of Notre Dame), Twin Peaks and the Television Gothic Catherine Nickerson (Emory University), Serial Killers and Serial Detection in Twin Peaks Nicholas Birns (New York University), Telling Inside from Outside, or, Who Really Killed Laura Palmer? Michael Carroll (New Mexico Highlands), Agent Cooper's Errand in the Wilderness: Twin Peaks and American Mythology Scott Pollard (Christopher Newport University), Cooper, Details, and the Patriotic Mission of Twin Peaks Jim Welsh (Salisbury State University), Lynch by the Book
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