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Lorenzo Bartolini (1777 - 1850) was an Italian sculptor who infused his neoclassicism with a strain of sentimental piety and naturalistic detail
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Lorenzo Bartolini 1 (1777–1850)
"Portrait of Napoleone Elisa Baciocchi" Size: 113 x 39 cm Cleveland Museum of Art, Cleveland, Ohio, USA
"Portrait of Napoleone Elisa Baciocchi" Size: 113 x 39 cm Cleveland Museum of Art, Cleveland, Ohio, USA This is a sculpture of Napoleon's niece. The wall-label for this piece remarked that although it may be strange for a contemporary audience to see depictions of nude children, this was common throughout European art history
Napoléone-Elisa Baciocchi et son chien Rennes, Musée des Beaux Arts
Élisa Napoléone Baciocchi Ajaccio, Palais Fesch - Musée des Beaux-Arts
Ritratto di Elisa Bonaparte da bambina, gesso Galleria dell'Accademia de Florence
Amore-Cupido 114 x 48 x 60 cm Lisabona Museu Nacional do Traje
L'Ammostatore (Vendemmiatore; Bacco fanciullo c. 1820; Pigiatore d'uva) Hermitage, St. Petersburg
La caritàeducatrice (Charity the Teacher) Galleria Palatina (Palazzo Pitti), Florence
La caritàeducatrice (Charity the Teacher) Galleria Palatina (Palazzo Pitti), Florence
La caritàeducatrice (Charity the Teacher) Galleria Palatina (Palazzo Pitti), Florence
La caritàeducatrice (Charity the Teacher) Galleria Palatina (Palazzo Pitti), Florence
MD Narishkina Hermitage Anne EynardLullin de Châteauvieux, 1823-26, marmo, Genève, collection des Musées d'art et d'histoire de la ville de Genève
His great patron was Napoleon, and it was Napoleon’s sister, Elisa, who recommended him for the post of director at the academy of sculpture in Carrara (where’s quarried the famous white marble); there he stayed until the fall of Napoleon, moving back to Florence where he survived largely thanks to commissions from foreign patrons. Elisa and her Daughter Napoléonne 1813 Marble, height 180 cm Musée du Louvre, Paris
Napoleon Bonaparte After a prototype by Antonio Canova
Napoleon I, c. 1800, 155 x 91 x 76 cm, Musée du Louvre
Gioacchino Murat (copia della sola testa da una statua di Antonio Canova) Prato, Museo Civico Napoleone e Maria Luisa D’Asburgo - Lorena
George Gordon Byron (Lord Byron), Firenze, Galleria d'Arte Moderna George Gordon Byron (Lord Byron), The National Portrait Gallery, London
Bust of Frederick William Hervey, Marquess of Bristol, Felbrigg Church, Norfolk, England Carlo Ludovico di Borbone-Parma, Firenze, Galleria d'Arte Moderna
Jeanne-Françoise Julie Adélaïde Bernard Récamier (Madame Récamier) Firenze, Collezioneprivata Cassandra Luci, principessa Poniatowski Prato, Museo Civico
Franz Liszt, (plaster) Royal Geographical Society, London, UK Franz Liszt, Weimar Liszthause
Elisa Napoleona Baciocchi contessa di Camerata Rijkmuseum Amsterdam
The Sculptor's Wife Anna Maria Virginia Buoni Bartolini
Bust of Rosa Trivulzio Poldi Pezzoli 1828 Marble, height 70 cm Museo Poldi Pezzoli, Milan
Rosalia Ventimiglia,1819, Madrid, Collección Duques de Alba Luisa Sauli marchesa Pallavicini Genova, Collezione privata
Maria Leopoldina Metternich Castello Metternich Elisa Bonaparte Baciocchi, 1810 ca., marmo, Collezione Banca Popolare di Vicenza - Galleria di Palazzo degli Alberti, Prato
Ritratto femminile SanPetresburg Museo Russo Sofia Apraxina, principessa Scerbatova, 1820-25, gesso, Firenze, Galleria dell'Accademia
Ritratto di donna, c. 1820, Rijksmuseum Amsterdam
Frances Elisabeth (Fanny) Appleton Longfellow, 1836, marmo, U.S. National Park Service, Longfellow National Historic Site María Elena de Palafox y Silva Madrid, Palacio de Liria
Sof’jaApraxinaprincipessaŠčerbatova Firenze, Galleria dell'Accademia
Matilde Bonaparte Demidov (MathildeLaetitiaWilhelmine Bonaparte Demidov) Firenze, Galleria dell'Accademia Teresa Gamba Guiccioli Prato, Museo Civico
Statue of Marie Louise of Bourbon Lucca Piazza Napoleone
Tomb of Princess Sophia Zamoyska 1837-1844 Marble, width 187 cm Salviati Chapel, Santa Croce, Florence
Monumento a Vittorio Fossombroni, 1846 -50, gesso Galleria dell’Accademia, Firenze
The Monument to Nicola Demidoff in "Piazza Demidoff" square in Florence, Italy, was sculpted by Lorenzo Bartolini in 1830/50, and achieved because of his death by his pupil Pasquale Romanelli. It was inaugurated in 1870.
Modello del monumento a Nikolaj Nikitich Demidov Firenze, Galleria d'ArteModerna
The monument was originally to have been placed in the family villa at San Donato, but Demidoff's son Paolo later bequeathed it to the City of Florence, which decided to place it in the square in which it now stands. The gardens laid out around the monument were interspersed with lime trees. La Misericordia
Because of the delicate nature of the marble from which the were made, the statues soon began to deteriorate, and Giuseppe Martelli was commissioned to design the elegant iron and glass construction which still protects the monument.