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Working with the Impressionists. Edouard Manet 1832-1883. Painting Style worked with simplified forms with minimal modeling, flat color patches outlined in black Subject Matter consisted of contemporary scenes and updated Old masters themes. The Street Singer, 1862. The Fifer,
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Painting Style • worked with simplified forms with minimal modeling, flat color patches • outlined in black Subject Matter • consisted of contemporary scenes and updated Old masters themes
The Street Singer, 1862
The Fifer, 1866
Born in Paris, France • Lived and worked in LeHavre, Argenteuil and Giverny • Had a beautiful flower and water garden at Giverny which provided inspiration for his paintings in his later life • Tried to capture the light at various times of day
Subject Matter • Waterlilies • Series on fields of poppies, cliffs, grain stacks, poplars, Rouen Cathedral in London, and Venice scenes
Technique/Style • Enjoyed painting outdoors • Landscapes and water scenes became his specialty • Painted with pure primary colors; colors were placed side-by-side so the viewer’s eyes would optically mix them at a distance • Loved to use complementary colors for his shadows • Paintings had soft, atmospheric qualities • Brushstrokes were visible in his pieces
Rouen Cathedral Full Sun 1892-1894
Rouen Cathedral Dull Sun 1892-1894
Woman with a Parasol 1886
Born in Limoges, France • Painter of fine porcelain at the age of 10 • Used these skills to paint on fans, curtains, and movable altars • Used light brushstrokes, rosy pinks, and vivid yellows throughout his lifetime which was reflective of his porcelain painting days
Subject Matter • Happy, fun everyday scenes (genre scenes) • Nudes • Pretty Children • Outdoor Scenes • Flowers • Café Society • Party Scenes
Style/Technique • Paint palette consisted of rich reds and primary colors • Blues instead of blacks used for shadows • Short brushstrokes of specific colors comprised his paintings • Figures were bathed in light and color
Young Girls at the Piano 1892
Vase of Roses
Dance in the City 1883
Born in Paris, France • Liked to paint indoors • Not found of landscapes • Subject Matter racetracks, circuses, the opera, café scenes, ballerinas, women working, bathers
Style/Technique • Wanted to capture a “moment in time” • Used unusual angles, large empty floor space in the center, and asymmetrical compositions • Used vivid colors or unusual hues for drama or interest • Was the first artist to use pastel drawings as finished pieces • Influenced by photography and the artist, Ingres
The Dance Class 1874
Jockeys Before the Start of the Race 1878-1880
Granddaughter of Fragonard • Pupil of Corot • Greatly influenced by Manet whom she met in 1868 at the Louvre • Married Manet’s brother in 1874 • Exhibited with the Impressionists at all exhibits except the fourth one in 1879 due to poor health
Pictures accepted at the Salon • Treated as an equal among the Impressionists • Her works were bought for higher prices than her male counterparts in 1875
Subject Matter • Domestic Scenes • Women and children • Only man she ever painted was her husband, Eugene
Style/Technique • Used touches of color to indicate form and volume • Style was very free • Brushstrokes were feathery and light • Worked in oils and watercolors
The Balcony 1872
Young Woman in a Party Dress 1879
The Artist’s Sister at a Window 1869