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The High Renaissance 16 th century Italy. Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning of Martin Luther’s Reformation of the Church
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The High Renaissance16th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning of Martin Luther’s Reformation of the Church Holy Office of the Inquisition-church court that dealt with heretics-as a reaction to the Reformation efforts Society of Jesus-Jesuit religious order expands missionary work all over the world
LeonardodaVinci 1452-1519
Leonardo da Vinci, Study for an Assault Chariot with Scythes, 1485
Leonardo da Vinci, Study for an Automobile, 1478 • Worked in Milan under Duke Ludovico Sforza
Leonardo da Vinci, The Virgin of the Rocks, Milan, 1483-86 sfumato
Leonardo da Vinci, The Last Supper, Santa Maria della Grazie, Milan, 1495-98
Leonardo da Vinci, Lady with an Ermine, Milan, 1483-90 • Cecilia Gallerani
Leonardo da Vinci, Virgin and Saint Anne with the Christ Child and the Young Saint John the Baptist, Milan, 1483-90 • Cartoon • Cartone
Leonardo da Vinci, Mona Lisa, Florence, 1503-05 Lisa Gherardini del Giocondo
Raffaello Santi 1483-1520
Paper/Squidoo/Blog Intro A. Artist title date location Description A. Visual Elements/Principles of Design Historical context A. why it was made, who commissioned it, etc. Comparison Conclusion
Raphael, Galatea, Villa Farnesina, Rome, 1511
Michelangelo Buonarroti 1475-1564
Michelangelo, Interior of the Sistine Chapel, The Vatican, RomeCeiling:1508-12The Last Judgment: 1536-41
Michelangelo, Study for the Interior of the Sistine Chapel, The Libyan Sibyl,1511
Michelangelo, Sistine Chapel Ceiling, The Vatican, Rome,1508-12
Michelangelo, Sistine Chapel, The Libyan Sibyl,1508-12 • Teribilita • Figura Serpentinata
Michelangelo, Moses, Rome, 1513-16 • Pope Julius II
Sofonisba Anguissola, Portrait of the Artist with her Sisters, Cremona, 1555
Bramante, Plan for reconstruction of St. Peter’s Basilica, Rome, 1506 Michelangelo, Plan for reconstruction of St. Peter’s Basilica, Rome, 1546
Carlo Maderno, Plan for reconstruction of St. Peter’s Basilica, Rome, 1605 Michelangelo’s plan of 1546
Michelangelo, St. Peter’s Dome and Façade, 1546-64 Carlo Maderno, 1606-12, Facade Giacomo della Porta, 1590
Giacomo della Porta, Il Gesù, Rome, 1575-84 • Designed to reflect the significance of the Jesuit order • Combination of old and new elements • More curvilinear forms and ornament • Becomes standard type of church design for the Jesuits throughout the world
Giovanni Bellini, San Zaccaria Altarpiece, Venice, 1505 • Water and quality of light in Venice attracted many artists • Oil paint introduced to Venice by Antonello da Messina • Interest in light and perspective • Harmony between the colors
Parmigianino, Madonna with the Long Neck, Florence, 1534-40 • mannerism
Giovanni da Bologna, Rape of the Sabine Women, Florence, 1581-83