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Chapter Nineteen India, China, and Japan: From Medieval to Modern Times

Chapter Nineteen India, China, and Japan: From Medieval to Modern Times. Culture and Values Cunningham and Reich and Fichner-Rathus, 8th Ed. Seated Buddha Expounding the Dharma , Late Anuradhapura period (750–850), late 8th century Sri Lanka Copper alloy.

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Chapter Nineteen India, China, and Japan: From Medieval to Modern Times

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  1. Chapter NineteenIndia, China, and Japan:From Medieval to Modern Times Culture and Values Cunningham and Reich and Fichner-Rathus, 8th Ed.

  2. Seated Buddha Expounding the Dharma, Late Anuradhapura period (750–850), late 8th centurySri LankaCopper alloy Seated Crowned and jeweled Buddha, Pala period (ca. 700–1200), late 10th century; Kurkihar styleBihar, IndiaBronze with silver, lapis lazuli, and rock-crystal inlays

  3. The Qutb Minar

  4. Shiva as Lord of Dance (Nataraja), Chola period (ca. 860–1279), ca. 11th century, Tamil Nadu, India, Copper alloy; H. 26 7/8 in. (68.3 cm), Diam. 22 1/4 in. (56.5 cm)Gift of R. H. Ellsworth Ltd., in honor of Susan Dillon, 1987 (1987.80.1) • Dilwara Jain Temple - Mount Abu

  5. 19.2 The Taj Mahal, Agra, India. Built 1632–1649

  6. 19.3 Basawan and Chatar Muni, Akbar and the Elephant Hawai, c. 1590

  7. The Gopis Beseech Krishna to Return Their Clothing: Page from the Dispersed "Isarda" Bhagavata Purana(Ancient Stories of Lord Vishnu), ca. 1560–65India, probably Delhi–Agra area Ink and opaque watercolor on paper; 7 5/8 x 10 1/8 in. (19.4 x 25.7 cm) Gift of the H. Rubin Foundation, Inc. 1972 (1972.260)

  8. View of a Mosque and Gateway in Motijhil Bengal, British period (1858–1947), ca. 1814–23 Attributed to Sita Ram (Indian, active 1814–23) India, Bengal Opaque watercolor on paper; painting: H. 13 in. (33 cm), W. 19 1/4 in. (48.9 cm)

  9. 19.20The Three Sacred Shrines at Kumano: Kumano Mandala, ca. 1300

  10. 19.22 Hasegawa Tohaku, Pine Forest, late 16th century

  11. 19.23 Katsushika Hokusai, Underthe Wave Off Kanagawa, c. 1831

  12. Du hua“to read a painting”The integration of calligraphy, poetry, and painting, scholar artists for the first time combined the “Three perfections” in a single work of art.

  13. Han Gan, Night-Shining White [Tang dynasty (618–907)], ca. 750

  14. Zhao Mengfu, Groom and Horse, 1296, Handscroll, Ink and Color [Yuan dynasty (1271–1368)]

  15. Zhao Mengfu, Twin Pines, Level Distance,[Yuan dynasty (1271–1368)], ca. 1300

  16. techniques and formats of Chinese painting

  17. Large Paintings – either on the wall or on silk, these works typically decorated palaces, temples and tombs. Hanging scroll – displayed vertically rather than horizontally, and displayed all at once rather than viewed piece by piece. The bottom roller of the scroll was usually weighted in order to help it hang. Handscroll – a handscroll was usually about 12 inches high and anywhere from a few feet to dozens of feet long. It could have scenes mounted on it like in an album book, or painted directly inside. The scroll could be set on a table and rolled out piece by piece, so the front would be set on the beginning of the roll, on the right, and the scroll would be read from this page to the left, rather than from left to right. The scroll was meant ot be read gradually, piece by piece rather than spread out and displayed all at once. Album/Album Leaf – an album leaf is a single painting from an album, which is a book where sets of paintings of identical size have been mounted (like a photo album). The paintings are usually related, like scenes from one period of travel or different views of a famous site.

  18. Fan Kuan, Travelers Among Mountains and Streams, Northern Song Dynasty, 11th century, hanging scroll

  19. online at national museum Zhao Mengfu, Autumn Colors on the Qiao and Hua Mountains, 1296. Yuan Dynasty, handscroll.

  20. Fan Kuan, Travelers Among Mountains and Streams, Northern Song Dynasty, 11th century, hanging scroll

  21. Zhao Mengfu, Autumn Colors on the Qiao and Hua Mountains, 1296. Yuan Dynasty. (details)

  22. Late Yuan Literati Painting Ni Zhan, The Rongxi Studio, 1372, Yuan Dynasty, hanging scroll.

  23. Yin Hong, Hundreds of Birds Admiring the Peacocks, late 15th/early 16th century. Ming Dynasty.

  24. Shen Zhou, Poet on a Mountaintop, Leaf from an album of landscapes, mounted as part of a handscroll. Ming dynasty. C. 1500.

  25. 19.7Travelers Among Mountains and Streams, ca. 1000

  26. How African art influences European art and artists LEFT: Pablo Picasso, 'Head of a Woman', 1907 (oil on canvas)RIGHT: Dan Mask from West Africa

  27. Bamana People, Mail, N. W. Africa, Chiwara (antelope headdress, 20th century, Wood

  28. Comparison of the four major styles of The Chi Wara / Chiwara / Chi-Wara mask of the Bambara people of Mali. Left to right Abstract / Bougouni / Southern region style, Vertical/ Segu/ Northern region style, the Horizontal / Bamako / Northern region style, and the Abstract / Sikasso region style.

  29. Yoruba Twin Figures, made by Akiode died 1936Nigeria, 20th c.wood

  30. Animism From Latin anima "soul, life” - a set of beliefs based on the existence of non-human "spiritual beings" or similar kinds of embodied principles. Spirits embodied in the natural world Deep respect for nature and all living things Ancestral spirits Mediators = diviners, shamans and healers who use prayer, sacrifice, offering, ritual, or performance through (art) objects

  31. Toguna (meeting center), Mali Dogon Culture

  32. 20.4 Altar of the Hand, Kingdom of Benin (Nigeria), late 19th century

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