MY MUSEUM

1. MY MUSEUM Stephanie S

2. Ito jakucho

3. Ito jakucho…info. • ItōJakuchū was the eldest son of ItōGenzaemon, a Kyoto grocer whose shop, called Masuya, lay in the center of downtown, in the Nishiki food district. Jakuchū ran the shop from the time of his father's death in 1739 until 1755, when he turned it over to one of his brothers. • His training in paintings was mostly derived from inspirations from nature and from examining Chinese paintings at Zen temples. Some sources indicate that he may have studied with ŌokaShunboku, an Osaka-based artist known for his bird and flower paintings. Though a number of his paintings depict exotic or fantastic creatures, such as tigers and phoenixes, it is evident from the detail and lifelike appearance of his paintings of chickens and other animals that he based his work on actual observation.

4. edgar degas

5. edgar degas…info. • Edgar Degas(US: /deɪˈɡɑː/, UK: /ˈdeɪɡɑː/; French: [ilɛʁʒɛʁmɛnɛdɡɑʁdəˈɡɑ]; 1834–1917), born Hilaire-Germain-Edgar De Gas, was a French artist famous for his work in painting, sculpture, printmaking and drawing. He is regarded as one of the founders of Impressionism although he rejected the term, and preferred to be called a realist.[1] A superb draughtsman, he is especially identified with the subject of the dance, and over half of his works depict dancers. These display his mastery in the depiction of movement, as do his racecourse subjects and female nudes. His portraits are notable for their psychological complexity and depiction of human isolation.[2] • Early in his career, he wanted to be a history painter, a calling for which he was well prepared by his rigorous academic training and close study of classic art. In his early thirties, he changed course, and by bringing the traditional methods of a history painter to bear on contemporary subject matter, he became a classical painter of modern life.

6. Wassilykandisky

7. Wassilykandisky…info. • Youth and inspiration (1866–1896) • Kandinsky learned from a variety of sources while in Moscow. Later in life, he would recall being fascinated and stimulated by colour as a child. His fascination with colour symbolism and psychology continued as he grew. In 1889, he was part of an ethnographic research group which travelled to the Vologda region north of Moscow. In Looks on the Past, he relates that the houses and churches were decorated with such shimmering colours that upon entering them, he felt that he was moving into a painting. This experience, and his study of the region's folk art (particularly the use of bright colours on a dark background), was reflected in much of his early work. A few years later he first likened painting to composing music in the manner for which he would become noted, writing, "Colour is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul".[citation needed]