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Norwegian research in contemporary art and visual culture in education. FOUR THEORETICAL PERSPECTIVES BASED ON DIFFERENT EPISTEMOLOGY. Four exemplified theoretical perspectives. A sociological perspective A semiotic perspective A pedagogical perspective A discoursive perspective.
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Norwegian research in contemporary art and visual culture in education FOUR THEORETICAL PERSPECTIVES BASED ON DIFFERENT EPISTEMOLOGY
Four exemplified theoretical perspectives A sociological perspective A semiotic perspective A pedagogical perspective A discoursive perspective
Dag Solhjell (1995): A sociological study of the Norwegian Art Institution • A sociological perspektive: Focus on how art is a part of a social and cultural circulation on different levels in society Pierre Bourdieu
Dag Solhjell (2001): A theory about different practices in art education • A semiotic perspective: Focus on the art exhibition as the curators retoric text How can the exhibitions be ”read”? Erwin Panofsky
Guri Lorentzen Østby: A study of childrens interaction with art • A pedagogical perspective: Focus on how experience with art can influence childrens ”identity formation” (danning) John Dewey Lars Løvlie
Venke Aure (2006): Art education as different didactic discourses • A discoursive perspective: Focus on how different discourses in art education are based upon epistemological views on learning, participants and works of art. Pierre Bourdieu Nicolas Bourriaud, Irit Rogoff
Norway lack a research community regarding art and visual culture in education The field is characterized by methodological and theoretical eclecticism This demand theoretical consciousness to clarify how we as recearchers construct meaning and positions in the field
Conclusion WE NEED CAVIC!