Video 1 Checklist

1. _____Download Pictures and Videos for each of the Film Terms to I-MOVIE Program. _____Add a TITLE at the beginning of the movie and CREDITS at the end of the movie. _____ Take a 5-10 second video in front of the Green Screen and Download it into a different I-Movie Program. Merge it with a picture and use the Share Function to convert it into a video. _____ Import your Green Screen Video into your original I-Movie. _____Using Microphone record when and/or why you would use each. _____ Label Each Clip using the Text Button. _____ DOWNLOAD MUSIC and put it on your movie. _____Add a different EFFECT onto each clip. _____Put a different TRANSITION between each clip and between the clips and beginning/ending. _____Shorten each clip to 15 SECONDS or less. _____ SAVE the movie to your file. Video 1 Checklist

2. Video 1 - Final Product The final video should be in this order. • Title – First and Last Names and Folder the Video is in. • Extremely Long Shot (Establishing Shot) • Long Shot (LS) • Medium Shot (MS) • Close Up (CU) • Extreme Close Up (ECU) • Over the Shoulder • Birds Eye • High Angle (h/a) • Low Angle (l/a) • Point of View-Must be a Video • Eye Level • Green Screen-Video • Ending

3. Basic Film Terms

4. Frame • Dividing line between the edges of the screen image and the enclosing darkness of the theater • Single photo of film

5. Types of Shots • Cinematic shots are defined by the amount of subject matter within the frame • Shots can vary in duration • Shots vary in time from subliminal (a few frames) to quick (less than a second) to “average” (more than a second but less than a minute) to lengthy (more than a minute)

6. Establishing Shot (or Extreme Long Shot) • Shot taken from a great distance, almost always an exterior shot, shows much of locale • ELS Indiana Jones And The Temple Of Doom

7. Long Shot (LS) • (A relative term) A shot taken from a sufficient distance to show a landscape, a building, or a large crowd Austin Powers and the Spy Who Shagged Me

8. Medium Shot (MS) • (Also relative) a shot between a long shot and a close-up that might show two people in full figure or several people from the waist up The Talented Mr. Ripley

9. Close-Up (CU) • A shot of a small object or face that fills the screen • Adds importance to object photographed Under Pressure

10. Extreme Close-Up (ECU) • A shot of a small object or part of a face that fills the screen Rocky Horror Picture Show The Saint In London

11. Over the Shoulder Shot • Usually contains two figures, one with his/her back to the camera, and the other facing the camera Hollow Man Cast Away

12. Types of Angles • The angle is determined by where the camera is placed not the subject matter • Angles can serve as commentary on the subject matter

13. Bird’s Eye View • Camera is placed directly overhead • Extremely disorienting • Viewer is godlike Beverly Hills Girl Scouts

14. High Angle (h/a) • Camera looks down at what is being photographed • Takes away power of subject, makes it insignificant • Gives a general overview Without Limits

15. Low Angle (l/a) • Camera is located below subject matter • Increases height and powerof subject The Patriot

16. Point of View (POV) • A shot taken from the vantage point a particular character, or what a character sees

17. “Eye-Level” • Roughly 5 to 6 feet off the ground, the way an actual observer might view a scene • Most common