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Art Movements of the Industrial Age. Realism, Impressionism, Post-Impressionism & Expressionism By Miss Raia. How does each art period reflect events of the time?. Key question to be asked as we go through each period & artist / writer. Realism.
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Art Movements of the Industrial Age Realism, Impressionism, Post-Impressionism & Expressionism By Miss Raia
How does each art period reflect events of the time? Key question to be asked as we go through each period & artist / writer.
Realism • belief that literature and art should depict life as it really was. • Largely a reaction to the failed Revolutions of 1848-49 and subsequent loss of idealism
Realism in French Literature • France (beginning of realist movement) • Honoré de Balzac (1799-1850): The Human Comedy -- depicts urban society as grasping, amoral, and brutal, characterized by a Darwinian struggle for wealth and power • GustaveFlaubert (1821-1880): Madame Bovary -- portrays the provincial middle class as petty, smug, and hypocritical • Thomas Hardy: Tess of the d'Urbervilles • ÉmileZola (1840-1902): The giant of realist literature • Portrayed seamy, animalistic view of working-class life
Realism in Literature • England: George Eliot (Mary Ann Evans) (1819-1880)--examined ways in which people are shaped by their social class as well as their own inner strivings, conflicts, and moral choices. • Russia: Leo Tolstoy (1828-1910) – greatest Russian realist (War and Peace) • Fatalistic view of history but regards human love, trust, and everyday family ties are life’s enduring values • Scandinavia: Henrik Ibsen (1828-1906) – “father of modern drama” • The Dollhouse
Realist Art • Characteristics • The most important artists of the 19th century and 20th centuries created art for “art’s sake.” • This includes the Romantic period (to be studied after midterms) • Rather than depending on patrons to fund their works, they exercised virtual artistic freedom and hoped to make their money by selling their paintings to the public. • France was the center of the art world • Greatest works sold to the Paris Salon to be judged • Realists sought to portray life as it really was, not idealized • Therefore ordinary people became the subject • Realist photographers will also try to use their art to reveal the horrors of factories to newspapers and government in hope of change
Gustave Courbet (1819-1877) Portrait of Jo (La belle Irlandaise), 1866, a painting of Joanna Hiffernan, the probable model for L'Origine du monde and for Sleep.
Gustave Courbet (1819-1877) The Stone Breakers, 1849
Gustave Courbet (1819-1877) Femme nuecouchée, 1862
Francois Millet (1814-1875) • The Gleaners, 1857. Musée d'Orsay, Paris.
Francois Millet (1814-1875) • Woman Baking Bread, 1854. Kröller-Müller Museum, Otterlo.
Honore Daumier (1808-1879) • The Uprising, 1860
Honore Daumier (1808-1879) • Third Class Carriage, 1862
Edgar Degas (1834-1917) • Dancer with a Bouquet of Flowers (Star of the Ballet), 1878 Musicians in the Orchestra, 1872, oil on canvas, by Edgar Degas
Edgar Degas (1834-1917) • L'Absinthe, 1876, oil on canvas, by Edgar Degas The Dance Class 1873–1876, oil on canvas, by Edgar Degas
EdouardManet (1832-1883) • The Luncheon on the Grass (Le déjeuner sur l'herbe), 1863
EdouardManet (1832-1883) • Boating, Metropolitan Museum of Art, 1874
EdouardManet (1832-1883) • Olympia, 1863
Impressionism • Characteristics: • Began in France • Painters sought to capture the momentary overall feeling or impression of light falling on a real-life scene before their eyes • Brushstrokes were highly visible • Advent of paint in tubes made outdoor painting possible Mary Lydia Leaning on Her Arms 1879
Claude Monet (1840-1926) • Impression, Sunrise (Impression, soleillevant) (1872).
Claude Monet (1840-1926) • Water Lilies 1916
Claude Monet (1840-1926) • Jardin à Sainte-Adresse, 1867, Metropolitan Museum of Art, New York City
Claude Monet (1840-1926) • La maison du pêcheur à Varengeville (The Fisherman's house atVarengeville), 1882
Pierre-Auguste Renoir (1841-1919) • Dance at Le Moulin de la Galette (Bal du moulin de la Galette), 1876
Pierre-Auguste Renoir (1841-1919) • On the Terrace, oil on canvas, 1881 • The Theater Box, 1874
Camille Pissaro (1830-1903) • The garden of Pontoise, painted 1875 • Self-portrait 1903
Camille Pissaro (1830-1903) • Boulevard Montmartre la nuit, 1898
Post-Impressionism • Characteristics: • Desire to know and depict worlds other than the visible world of fact • Sought to portray unseen inner worlds of emotion and imagination • Sought to express a complicated psychological view of reality as well as an overwhelming emotional intensity • Cubism concentrated in zigzagging lines and overlapping planes • Fascination with form as opposed to light
Vincent Van Gogh (1853-1890) • The Starry Night, June 1889
Vincent Van Gogh (1853-1890) • The Sower, (1888)
Vincent Van Gogh (1853-1890) • Still Life: Vase with Twelve Sunflowers (August 1888) • Cypresses, (1889)
Vincent Van Gogh (1853-1890) • Olive Trees with the Alpilles in the Background, (1889), Museum of Modern Art, New York
Paul Gauguin (1848-1903) • Where Do We Come From? What Are We? Where Are We Going?1897, oil on canvas
Paul Gauguin (1848-1903) • Still-Life with Fruit and Lemons, c. (1880's) Les Alyscamps, (1888)
Paul Cezanne (1839-1906) • Still Life with a Curtain (1895)
Paul Cezanne (1839-1906) • Mont Sainte-Victoire, 1882-1885
Expressionism & Henri Matisse • Expressionism of a group of painters led by Matisse painted real objects, but their primary concern was the arrangement of color, line, and form as an end in itself • Also part of Fauvism (movement of “beasts”) • Woman with a Hat, 1905.
Henri Matisse (1869-1954) • Luxe, Calme et Volupté, 1904
Pablo Picasso (1881-1973) • Les Demoiselles d'Avignon (1907
Pablo Picasso (1881-1973) • Guernica, 1937
Pablo Picasso (1881-1973) • Massacre in Korea, 1951
Pablo Picasso (1881-1973) • The Kiss, 1969
Pablo Picasso (1881-1973) • The Old Guitarist, 1903 • Girl with a Mandolin, 1910