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SEMESTER PRESENTATION

SEMESTER PRESENTATION. MUSIC 1010 Samantha Morris. GEORGE GERSHWIN. 20 TH CENTURY COMPOSER AND PIANIST. JACOB GERSHOWITZS EARLY LIFE. Born September 26, 1898 Poor Russian immigrant family Passionate about music Dropped out of high school at 15. JUST THE BEGINNING. Played in nightclubs

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SEMESTER PRESENTATION

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  1. SEMESTER PRESENTATION MUSIC 1010 Samantha Morris

  2. GEORGE GERSHWIN 20TH CENTURY COMPOSER AND PIANIST

  3. JACOB GERSHOWITZSEARLY LIFE • Born September 26, 1898 • Poor Russian immigrant family • Passionate about music • Dropped out of high school at 15

  4. JUST THE BEGINNING • Played in nightclubs • Rehearsal pianist • Composed first published song • Many screen and stage songs

  5. Becoming The Legend ~ George Gershwin • Four year period wrote 45 songs • Working relationship with brother • Wrote several musical comedies • At 25 wrote best known piece

  6. Only the good die young • Died July 11th 1937 • 38 years old • Brain tumor

  7. COMPOSITIONS • Rhapsody in Blue • An American in Paris • Porgy and Bess • I Got Rhythm • Lady Be Good • Someone to Watch Over Me • Summertime • Piano Concert in F • Rialto Ripples • Shall We Dance

  8. AWARDS • Nominated for an Oscar • Nominated for a Grammy • Star on the walk of fame • Congressional gold metal award • Music Hall of Fame • Posthumous Pulitzer Prize

  9. MUSIC HISTORY RHAPSODY IN BLUE

  10. RHAPSODY IN BLUE • When and where 1st performed • Influences • 1st recorded • Well known

  11. INSTRUMENTATION • Saxophone • Flute • Oboe • Clarinet • Piano • Heckelphone • 2horns • 2 Trupets • 2 Flugelhorns • Violins • Euphonium • 3 Trombones • Tuba • Timpani • Trap Set • 2 Pianos • Celesta • Accordion • Banjo

  12. LISTENING GUIDERHAPSODY IN BLUE ~ GEORGE GERSHWIN • 0:00- Introduction- starts out very soft and slow with the piano. The clarinet comes in with a slide type sound very interesting... It kind of sets the tone for this piece. . The melody has several parts where it repeats itself. The harmony is consonant. The dynamics are soft and sweet. The timbre is the instrument of clarinet and piano. The rhythm is a steady upbeat, beat. The texture of the piano and clarinet have a very powerful sound mixed together, and then when the trumpet comes in it sounds amazing. • 0:31- The clarinet and trumpets sounds are high and low. The melody continues to be soft and sweet and then the trumpet comes in loud. • 0:57- Piano comes in and has a soft but is fast paced. Then the strings come in loud and clear. The dynamics are a mixture of loud and soft. The timbre is the piano playing by itself but makes very interesting sound. The melody is both smooth and wide apart. The harmony is a mixture of consonant and dissonant. I wasn’t expecting the load entrance of the orchestra, it was very beautiful. The rhythm was slow and fast at time. • 1:12-Starts the piano solo. It starts off very soft and slow. Harmony is very pretty and bright. There are a few places where the harmony has both consonant and dissonant. The tempo picks up and gets faster and louder. The rhythm is all over the place not really having anything in common. It does sound very interesting though • 3:20-Chorus.Then again, the full orchestra jumps in very loud. It is almost overpowering. It has a marching like rhythm. Dynamics are loud. Timbre has a great mixture of the instruments dipping in and out. It is very upbeat and deep.

  13. LISTENING GUIDERHAPSODY IN BLUE ~ GEORGE GERSHWIN • 3:57-Melody is very bright and sweet. The harmony is like a marching band. The dynamics are loud. Timbre is a huge variety of piano clarinet trumpet with full orchestra. Rhythm is upbeat and happy. I think this is my favorite part of the song. • 4:35- Full orchestra with the melody very bright and happy. The harmony is more dissonant with the dynamics being very loud. The rhythm is a very fast speed and it makes you want to get up and dance. • 5:07-Clarinet breaks in with a solo. The melody is low. The dynamics are soft and slow. • Rhythm is slower beat. • 5:27-The dynamics are loud. The rhythm has a tapping type rhythm that is very fast and upbeat. The harmony is happy and bright.

  14. LISTENING GUIDERHAPSODY IN BLUE ~ GEORGE GERSHWIN • 5:53-Chorus.it quiets down then breaks back in with full chorus. The piano plays all of the keys and it sounds amazing. The dynamics is high and the melody is upbeat. The rhythm is fast. • 6:18- The dynamics switch back and forth from loud and soft. With the full orchestra. Then the piano takes off first slow and easy then it picks up then slows down again. Piano does a whole solo for a good minute until you can hear the strings playing softly in the background. Then at the end it gets loud on the piano. • 8:38-Clarinet jumps in and has a medley with strings piano and timpani. It’s a very soothing piece and the dynamics are quiet and bright. • 9:05- The piano comes in louder but softens the dynamics up. The music slows down and it sounds like it is going to end... but it doesn’t. • 9:44- The piano keeps going with a bridge like tune. The dynamics are louder and softer and it keeps repeating the same thing. •  10:12- It sounds like it is going to stop again and then the piano gets louder and faster. Over and over again then it does several trills • 10:57-The piano gets very loud and then it goes soft. Sounds like a lullaby..

  15. LISTENING GUIDERHAPSODY IN BLUE ~ GEORGE GERSHWIN • 11:25- The strings come in very soft and sweet sounding. It is moving very slow and pretty. • The trumpet is played into the music and it is played deep and low but it is still long sounding.   • 12:00-The strings play a very soothing but loud part it sounds very thick. The trumpet get louder and then there is like a drum roll entrance Piano keeps going with the full orchestra. It is loud and soft. • 12:53- Then a triangle is played and it sounds like little fairies flying around.. it softens up the scene and the piano joins in with a soft quiet piece then it gets loud and it goes from consonant to dissonant. • 13:36- The piano sounds like it is arguing with someone. And then it goes right back to sweet and soft sounds. Then one key is hit over and over again then a lower key hit over again making the dynamic loud the texture is rough. The rhythm is very fast and chaotic • 14:36- There are a few trills with the piano and then a loud deep key is hit then the trumpet entwines with the piano. It is very loud and fast. It is getting very exciting.

  16. LISTENING GUIDERHAPSODY IN BLUE ~ GEORGE GERSHWIN • 15:12- The dynamics are loud the rhythm is fast. The piano is playing through with the trumpet. Each one is competing against each other it seems like. • 15:40- The symbols go off several times making things very loud. The strings come in and the rhythm is very upbeat and catchy. And the piano is getting louder and louder then it stops. • 15:55- Then the brass comes in deep and loud. The chorus is played and it is very bright sweet and then it is loud and then it slows. • 16:30- The whole orchestra comes in loud and strong. Symbols are played through piano is loud and it is building up. It sounds like it is going to explode. It is the most beautiful thing I have ever heard. • 16:54- end

  17. Bibliography • George Gershwin. 2013. The Biography Channel Website • Sept. 27, 2013 01:06 http://www.biography.com/people/george-gershwin-9309643 • Pbs.org, June 7, 2006. George Gershwin, American Masters • History.com, This Day in History, February 24, 1924 • http://www.history.com/this-day-in-history/rhapsody-in-blue-by-george-gershwin-performed-for-first-time • George and Ira Gershwin. 2013 Gershwin.com • google.com - Images

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