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The Elements of Art in Technology

The Elements of Art in Technology. Created by: Michelle Powell Ryan Teeter Lorna Teeter. Line. The path of a point moving in space. All art begins with line. We see lines in everything around us. curved. horizontal. diagonal. vertical. Lines in Technology.

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The Elements of Art in Technology

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  1. The Elements of Art in Technology Created by: Michelle Powell Ryan Teeter Lorna Teeter

  2. Line The path of a point moving in space.

  3. All art begins with line. We see lines in everything around us. curved horizontal diagonal vertical

  4. Lines in Technology Line is used to direct attention to an object or idea. You can use lines in technology to control eye movement.

  5. Experiment with Line Use the drawing tools in Painter Classic to create a variety of lines that express different feelings. These might include joy, fear, anger, or excitement.

  6. Color What the eye sees when light is reflected or absorbed by an object.

  7. Color Schemes There are three basic color schemes: monochromatic (1 color),complementary (2 opposite colors on a color wheel) and analogous (3 colors that touch on a color wheel). monochromatic analogous complementary

  8. Color in Technology Color can be used to express Important ideas, or make an idea stand out in a presentation. LOOK HERE!

  9. Experiment with Color In Painter Classic create a simple drawing of an object. Copy and paste the object 2 more times. Color the object in a complementary scheme, an analogous scheme, and a monochromatic scheme.

  10. Value The lightness or darkness of a surface.

  11. Tints, Tones, Shades For a tint add white, for a tone add gray, and for a shade add black.

  12. Value inTechnology Value can show contrast in a project. It can create a feeling or mood for a presentation or multi-media project.

  13. Experiment with Value Choose three objects. In Painter Classic draw those objects. Choose a color from the color wheel. Fill one of the objects with that color. Fill the second with a tint of that color and the third with a shade of that color.

  14. Shape An area that has two dimensions. It has length and width but not depth.

  15. Types of Shapes Shapes can be organic (natural) or geometric (man-made). geometric organic

  16. Shape in Technology Shape can be used to Layout the information on your page.You can enclose text or pictures with shapes, or use them to create unity.

  17. Experiment with Shape In Painter Classic, create an abstract or realistic picture Using two-dimensional shapes. Use a variety of colors to finish your picture.

  18. Form An element of art that refers to an object with three dimensions.

  19. Types of Forms Forms are grouped as geometric or free form. geometric free form

  20. Form in Technology Use form in your projects to create a three-dimensional effect.

  21. Experiment with Form At the www.wwar.comwebsite, find 3 examples of geometric form and 3 examples of organic form.

  22. Texture How things feel, or look as though they might feel, if touched.

  23. Feeling Texture We “see” visual textures with our eyes. We “feel” tactile textures with our hands.

  24. Texture in Technology Texture adds variety to your project or presentation.

  25. Experiment with Texture Draw a picture of an animal using Painter Classic. Divide your animal into at least 6 sections. Fill in each section using a different texture.

  26. Space The visual or actual area between, above, below, and within objects.

  27. Creating Space To create space in two-dimensional art, artists use perspective, placement, size, and overlapping.

  28. Space in Technology To balance the parts of your project, use space in and around the words and images.

  29. Experiment with Space Use size, overlapping, placement, and perspective to create a picture that seems like you can see forever. Use Painter Class to create your picture.

  30. References: Chapman, Laura H. Discover Art, Vol 5 & 6. Massachusetts: Davis Publications, Inc., 1985. “Drawing: The Key to Creativity.” Art & Man. 10 (Oct.1979): 6. Hubbard, Guy. Art in Action. San Diego: Coronado Publishers, 1986. Mittler, Gene and Ragans, Rosalind. Understanding Art. New York:Glencoe McGraw Hill, 1999. Mittler, Gene and Ragans, Rosalind. Exploring Art. New York: Glencoe McGraw Hill, 1999. Mittler, Gene, et al. Introducing Art. New York: Glencoe McGraw Hill, 1999. Preble, Duane and Sarah. Artforms. New York: Harper Collins College, 1994. The Metroplitan Museum of Art. (online) March 5, 2001. www.metmuseum.org.

  31. Artists and Their Works Bishop, Isabel. Men and Girls Walking. Brancusi, Constantin. Mlle. Pagany II. Brancusi, Constantin. The Kiss. Bruegel, Pieter. Return of the Hunters Butterfield, Deborah. Horse. Calder, Alexander. Sow. Dali, Salvador. Persistence of Memory. Dürer, Albrecht. Rhinoceros. Dvorak, Lois. The Lizards. Hardin, Helen. Robed Journey of the Rainbow Clan. Hokusai, A Maid Preparing to Dust. Kandinsky, Wassily. Several Circles. Kolwitz, Käthe. The Mothers. Le Vau, Louis and Jules Hardouin-Mansart. The Hall of Mirrors at the Palace at Versailles, France. Marc, Franz. Yellow Cow. Nigeria, Benin. Horse and Rider. Nigeria, Benin. Pendant Mask: Iyoba. O’Keeffe, Georgia. Oriental Poppies. Oppenheim, Meret. Object (Le Dejeuner en Fourrere). Orozco, José-Clemente. Zapatistas. Peale, Raphaelle. Still-Life With Cake. Picasso, Pablo. The Three Musicians. Rembrandt. Portrait of a Seated Actor. Saarinen, Eliel. Prototype Tea Service. Sage, Kay. I Saw Three Cities. Seitzman, Lincoln. White Mountain Apache Olla Basket Illusion. Thailand. Guardian Figure Tooker, George. Highway. van Doesburg, Theo. Composition (The Cow). Wright, Frank Lloyd. Falling Water (Edgar Kaufmann Residence)

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