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Ancient Near East. Sumerian Akkadian Babylonian Assyrian Persian . Ancient Egypt . Pre-dynastic Period Old Kingdom Middle Kingdom New Kingdom Amarna Period New Kingdom cont. Late Period . Proto-Greek . Cycladic Minoan Fresco Secco Mycenaean Corbeling. Ancient Greek.
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Ancient Near East Sumerian Akkadian Babylonian Assyrian Persian
Ancient Egypt Pre-dynastic Period Old Kingdom Middle Kingdom New Kingdom Amarna Period New Kingdom cont. Late Period
Proto-Greek Cycladic Minoan Fresco Secco Mycenaean Corbeling
Ancient Greek Archaic Greek—6th century Persian Wars [Darius the Great & Xerxes] Classical Greek—5th century[idealized naturalism] Contrapposto Polykleitos’sCannon of Proportions y = 2x + 1 Pericles Late Classical—4th century [humanized naturalism] Peloponnesian War (Sparta vs. Athens) death of Alexander the Great (323 BCE) Hellenistic Greek—3rd – 1st century BCE [dramatized naturalism]
Ancient Rome Republican Period [509 BCE – 27 BCE] Imperial Period [27 BCE – 410 CE] Early / High Empire Late Empire / Late Antiquity Concrete Rounded arch Second Style (illusionism) Linear perspective Atmospheric perspective
Early Christian / Late Antiquity [ca. 200 – 500 CE] Greco-Roman influence Mosaic Central plan Longitudinal plan
Byzantine [527 – 1453] Justinian & Theodora Pendentives& Squinches Iconocalsm Flat Fromal Frontal Floating
Early Medieval [400 – 1000] Hiberno-Saxon [600s – 700s] Carolingian [800s] Viking [800s] Ottonian [900s]
Romanesque [1050 – 1200 CE] Pilgrimage Church Increased size of nave and side aisles Added transepts Reliquaries / Relics Radiating chapels Rounded arches Barrel vault / Groin vault Masonry vaults Buttressing Tympanum Cloister Stone sculpture revived Christ as last judge (pantokrator) Regional Styles (cf. France, Italy, & England)
Abbot Suger • Pilgrimage cont. • venerate relics • Cathedral • High elevation • Regional Styles • (cf. France, Italy, & England) • “Court style” of Louis IX • Flamboyant • Perpendicular Gothic [1140 – 1500 CE] Pointed arch Stained Glass [Lux nova] Clerestory / Triforium Lancets Rose windows Flying buttressing Rib vaulting Tracery Jamb sculpture S-curve
Proto-Renaissance 1300s [14th century] Italio-Byzantine Proto-Renaissance Modeling International Gothic Style
15th century Northern Europe[1400s] Late Medieval Oil paints Increased naturalism Private devotional imagery Symbols Portraiture
Early Renaissance [1400’s / 15th century] Greco-Roman influence Humanism Linear perspective Chiaroscuro
Renaissance [1500’s / 16th century] High Renaissance humanism Sfumato Venetian Renaissance Oil on canvas Arcadian / Pastoral Landscape Protestant Reformation / Catholic Counter-Reformation Mannerism [1420s]
Northern Renaissance [1500’s / 16th century] Protestant Reformation Woodcut print Italian Renaissance influence (Durer)
Baroque Art[1600 – 1750 / 17th century] Protestant Reformation Dutch Baroque Catholic Counter Reformation Dynamic Baroque (Italy/Spain, Flanders) Tenebrism Classical Baroque (France) “”
Rococo [1700– 1750 / 18th century] “Rubeniste”
The Enlightenment [18th century taste for the “natural”] Industrial Revolution Grand Manor Portraiture The Grand Tour
Neoclassicism [1750 – 1850] The Grand Tour Excavation of Pompeii & Herculaneum “Poussinistes”
Romanticism [1750 – 1850] “Age of Revolutions” The Sublime Rousseau—”Natural Man” Hudson River School [1820s]
Beginnings of Photography [Mid-19th century] Daguerreotype—1839 Calotype—1939
Impressionism [1870’s – 1880’s] • En plain air • Salon des Refuses cont. 1874, 1875, & 1886 • Industrialization & Urbanization Bourgeois
Post-Impressionism [1880’s] Avant-Garde Expressionism (color) Formal Analysis Pointillism (aka Divisionism) Japonism
Symbolism [Late-19th century] Primitive artist “Art for art’s sake” Fin de Siecle
Arts & Crafts Movement[Late-1800s] Art based on natural forms Elevation of craftsmanship William Morris
Arts Nouveau [1890s] Art based on natural forms Synthesized media Mass-produced
Early Modern Architecture “Form follows function” – Louis Sullivan Cast iron Steel (1860) Glass
Fauvism [1905] Arbitrary color
German Expressionism[1905 – 1914] Die Brucke—1905 DerBlaue Reiter—1911 non-objective / pure abstraction
Cubism [1907] Analytical Cubism—1907 Fractured space / Breaking the ‘picture plane” Synthetic Cubism—1912 Collage Armory Show—1913
Futurism [1914] Dynamism / Speed / Movement Progress war as cultural cleansing
Dada[1917] Post-WWI nonsensical view of life chance Ready-made photomontage
Surrealism [1930s] Sigmund Freud / Subconscious fantasy / dreams Naturalistic Surrealism Biomorphic Surrealism Automatism
Suprematism[1915] Nonobjective “Pure feeling”—supreme reality through pure feeling
de Stijl[1917] “pure plastic art”—universal reality Primary colors Primary values
The Bauhaus[1920s] Anticipate 20th century needs Strong basic design Embrace industry and mass-production Artist = Craftsman
Modernist Architecture [20th century] International Style [1930s] Prairie Style [early-20th century]
Regionalism [1930s] Nostalgic view of mid-Western American heritage during the Great Depression Establish an American identity
Post WW II Expressionism [1945 – 1950s] Imagery Expressionism
Abstract Expressionism [1950s] Modernist Formalism Gestural Abstraction [Action painting] process Chromatic Abstraction
Post-Painterly Abstraction [1960s] Color field painting Hard-edge painting
Site-Specific Art[1960s] Earth art / Land art / Environmental art
Performance Art[1960s] John Cage Happenings
Conceptual Art[1960s] Art as idea
Pop Art[1960s] Popular culture / mass media
Post-Modernism [1970’s - now] Post-Modern Architecture Deconstructivist Architecture Neo-Expressionism [1980s] Post-Modern Critique Issues of Race Issues of Gender Critique of Commodity Culture Critique of Art