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HWH Unit 3 Chapter 5.2. Art of the scientific revolution and enlightenment: Baroque and rococo. Baroque Art (late 1500s-late 1600s). Major characteristics Rich, full-bodied colors Uses light and contrast Full of energy Dynamic sense of movement Excited, agitated feel
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HWH Unit 3 Chapter 5.2 Art of the scientific revolution and enlightenment: Baroque and rococo
Baroque Art (late 1500s-late 1600s) • Major characteristics • Rich, full-bodied colors • Uses light and contrast • Full of energy • Dynamic sense of movement • Excited, agitated feel • Appealed to the emotion of the viewer • Ideas of space are not as defined as in the Renaissance
Propaganda tool of the Counter Reformation Energy conveyed the renewed energy of the Catholic church But even Protestants capitalized on its energy It was also used to portray the grandeur of the emerging absolute monarchs Characteristics
The Musicians by Caravaggio, 1595Metropolitan Museum of Art, New York
The Incredulity of St. Thomas by Caravaggio (1602)Sanssouci Palace, Potsdam, Germany
The Calling of St. Matthew by Caravaggio (1602)Church of San Luigi deiFrancesi, Rome
David with the Head of Goliath by Caravaggio (1610)Museo del Prado, Madrid
Medusa by Caravaggio (1590-1600)Galleria degli Uffizi, Florence
The Entombment by Caravaggio, 1602PinacotecaVaticana, Vatican City
The Maids of Honor (Las Meninas) by Velazquez, 1656Museo del Prado, Madrid
The Surrender of Breda by Velazquez (1635)Museo del Prado, Madrid
The Abduction of the Sabine Women by Poussin, 1636Metropolitan Museum of Art, New York
Rubens, Descent from the Cross (1612)The Cathedral of Our Lady, Antwerp
La Tour, St. Joseph the Carpenter (1640s)Musée du Louvre, Paris
The Blinding of Samson by Rembrandt, 1636StädelschesKunstinstitutmitStädtischerGaleria, Frankfurt am Main, Germany
The Night Watch by Rembrandt, 1642Rijksmuseum, Amsterdam, The Netherlands
The Milkmaid by Vermeer, 1658Rijksmuseum, Amsterdam, The Netherlands
The Geographer by Vermeer, 1669StadelschesKunstinnstitut, Frankfurt, Germany
Pluto and Persephone by Bernini, 1621Galleria Borghese, Rome
The Ecstasy of St. Theresa by Bernini, 1645-52Church of Santa Maria dellaVittoria, Rome
Faith Overthrowing Heresy by Pierre Le Gros Church of the Gesu, Rome (1698)
Characteristics • Glorification • Of monarchs (i.e., Versailles) • Catholic Churches (i.e., St. Peter’s) • Very colorful and dramatic • Utilizes columns built into walls • Generally has many windows • Rococo: overly elaborate Baroque decorations