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Renaissance. Art in the. 1400 – 1600 . Overview. Italian/Early 1400-1490 Italian/High 1500-1600 Northern/Late 1500-1600 one can argue about dates: 1300 – 1520 1400 – 1600. map. Renaissance.
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Renaissance Art in the 1400 – 1600
Overview • Italian/Early 1400-1490 • Italian/High 1500-1600 • Northern/Late 1500-1600 • one can argue about dates: 1300 – 1520 1400 – 1600
Renaissance • 1st period to name itself and say nasty things about earlier times:“Gothic” & “Dark Ages” • Term means “Rebirth” • Looking back to Classical culture – Ancient Greece and Rome • Names! Artists known by name – 1st contemporary art historian (1550); Individuality celebrated in this era
Renaissance • Church is still the biggest power structure • Beginning of banking • Private fortunes & power • Starts in Italy – specifically Florence
Man loves himself once again The Return of Humanism
from Pico della Mirandola's Oration on the Dignity of Man (1486) . . . I feel that I have come to some understanding of why man is the most fortunate of living things and, consequently, deserving of all admiration; of what may be the condition in the hierarchy of beings assigned to him, which draws upon him the envy, not of the brutes alone, but of the astral beings and of the very intelligences which dwell beyond the confines of the world. see also p. 190
Donatello, David,1432 p. 203
Donatello, David,1432 Tuscan hat p. 203
Style of helmet & art symbolic reference to other Italian city-states Donatello,David,1432Goliath’s headdetail Love of texture
1st free-standing, life size nude sculpture since antiquity! • contrapposto; but not just an imitation of past models • for private collection • David = underdog = Florence • Goliath = giant = Milan & other central Italian cities in league against Florence Donatello, David, 1432
Inscription: “The victor is whoever defends the fatherland. God crushes the wrath of an enormous foe. Behold - a boy overcame a great tyrant! Conquer, O citizens! Kingdoms fall through luxury, cities rise through virtues. Behold the neck of pride, severed by the hand of humility.” Donatello, David, 1432 p. 203
CONFIDENCE REDISCOVERED! Florence CathedralBrunelleschi dome p. 193-197
Pitti Palace Uffizzi View from the Duomo
Pazzi Chapel Post & lintel returns; GEOMETRY
Pazzi Chapel p. 198
Alberti (façade architect), Santa Maria Novella, Florence, 1470 By the numbers: 2:1 3:1 4:1 not in text
MasaccioTrinity1427-28Fresco21' 10 1/2" x 10' 4 Santa Maria Novella, Florence 1st use of linear perspective not in text
Tribute Money,detailNote use of chiaroscuro (light and dark shading) to create volume in the clothes.
Ghiberti, LorenzoThe Gates of Paradise1425-52Bronze with gilding p. 195-196
Ghiberti, LorenzoThe Gates of Paradise1425-52Bronze with gilding p. 195-196
Ghiberti, LorenzoThe Gates of Paradise1425-52Bronze with gilding
Ghiberti, LorenzoThe Gates of Paradise1425-52Bronze with gilding
Ghiberti, LorenzoDetail from the Gates of ParadiseThe story of Joseph1425-52Bronze with gilding80 x 80 cmBaptistery, Florence not in text
BOTTICELLI, SandroThe birth of Venusc. 1485, Tempera on canvas(67 7/8 x 109 5/8 in.) NOT IN TEXT
BOTTICELLI, SandroPrimaverac. 1482. Tempera on wood203 x 314 cm p. 199
BOTTICELLI, SandroPrimaverac. 1482. Tempera on wood203 x 314 cm
BOTTICELLI, SandroVenus and Marsc. 1485. Egg tempera and oil on poplar69 x 173.5 cm NOT BIBLICAL! not in text
KEY IMAGE PERIOD: PLACE: ARTIST: TITLE: DATE: Early Renaissance Florence Donatello David 1432 p. 203
PERIOD: ARTIST: TITLE: Renaissance KEY IMAGE Botticelli p. 199 La Primavera (Birth of Spring)
Pazzi Chapel KEY IMAGE p. 198
Summary – Italian Renaissance • POLITICS – Italian city-states; power from money • EARLY RENAISSANCE – Florence • HIGH RENAISSANCE – • ART – Classical ideals revived • IDEAS – Humanism returns • MUSIC –