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Design Sketchbook. 1. Create a series of 4-5 panels showing a complex subject eventually progressing to completely abstract forms. (Georgia O’Keeffe). Jack-in-the-Pulpit. Jack-in-the-Pulpit. Jack-in-the-Pulpit. Jack-in-the-Pulpit.
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1. Create a series of 4-5 panels showing a complex subject eventually progressing to completely abstract forms. (Georgia O’Keeffe)
2. Draw, paint, collage, or photograph patterns found in nature (Edward Weston)
Edward Weston Pepper 1930
Edward Weston Pepper 1929
Edward Weston Pepper 1930
Edward Weston Artichoke, 1930
Edward Weston Chard 1931
3. Draw, paint, collage, or photograph patterns found in man-made objects (which could include buildings, etc.) (Margaret Bourke-White, Stuart Davis, Charles Sheeler)
Stuart Davis, Hot Still Scape for Six Colors--Seventh Avenue Style, 1940.
Stuart Davis Owh! In San Pao 1951
4. Exaggerate colors in a portrait to intensify emotion (work from life) (Emil Nolde, Henri Matisse, Andre Derain, Vincent Van Gogh)
Still Life with Masks 1911 by Emil Nolde
Excited People 1913 by Emil Nolde
At The Café 1911 by Emil Nolde
Madame Matisse (The Green Line) 1905 by Henri Matisse
Henri Matisse Woman with a Hat 1905
Portrait of Henri Matisse 1905 by André Derain
Portrait of Doctor Gachet 1890 by Vincent van Gogh
Vincent Van Gogh Self-Portrait with Bandaged Ear 1889
Vincent Van Gogh La Berceuse 1889
5.Exaggerate colors in a landscape to intensify emotion (Edvard Munch, Franz Marc, Vincent Van Gogh)
The Scream 1893 by Edvard Munch
Girls on a Bridge 1900 by Edvard Munch
The Sheep 1912 Franz Marc
Church at Auvers 1890 by Vincent van Gogh
Sower with Setting Sun 1888 Vincent van Gogh
6.Create a one-page story in the style of a graphic novel. Emphasize different view points, strong use of black and white, alternating concentrations of black or white in each frame to intensify or calm the mood. (Marjane Satrapani in Persepolis; myriad other graphic novels and comic books)