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Developing, Selling and Producing A Project

Developing, Selling and Producing A Project. RTV 322. Outlets for Distribution. Networks Traditional Broadcast / Cable Terrestrial Stations Syndication First - run / off-network / MOW Theatrical Co-productions / International DVD / You Tube / Internet?

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Developing, Selling and Producing A Project

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  1. Developing, Selling and Producing A Project RTV 322

  2. Outlets for Distribution • Networks • Traditional Broadcast / Cable • Terrestrial Stations • Syndication • First - run / off-network / MOW • Theatrical • Co-productions / International • DVD / You Tube / Internet? • Mobile Media? Netflix and similar…

  3. Finding or Writing the Script • Film style format (software like Movie Magic Screenwriter of Final Draft) • Lots of scripts (screenplays) -- Very few good ones • Financial Realities (lose money, upfront funding, co-production deals) • Getting started as a writer • Major Studio / Independent • Produced where? (Friday Night Lights, Lying Game as examples)

  4. Script Development Basics • Feature / Dramas • Exposition, Scene & Sequel • Mini-movies / Scenes / Breaks / arcs • Pacing / ‘Make it punch and pop’ • Character Development must drive story • Hollywood Formula • Sit-com example • Head Writer / Table Read / Points on a board, re-writes, credits

  5. Pitch Your Project for TV • The Pitch (who and how) • Concept / Treatment • Step Deal (‘greenlighting’) • Development • ‘Notes’ • Pilot / presentation film • Testing • License fee / ownership • Cancellation

  6. Related Terms • above the line, below the line, residuals, production house, local market (terrestrial) stations/markets, network, off-network syndication, first run syndication, O&O, affiliate, Nielsen, number of local TV markets • cable TV vs. IPTV, vs. DBS, U-verse and FiOS, DISH Network and DirecTV

  7. Related Terms • When is Prime Time? Why is it so important? • How many episodes of a Prime Time network TV show are produced a season? • Who owns the shows? • National vs. local programs

  8. The Production Meeting • TV Show: Producer …. Theatrical Movie: Director / UPM • Example, Feature: at the Production Meeting • UPM, Producer, Director, AD, DP, VFX, Location Manager, Stunt Coordinator, Production Designer, Property Master, Transportation, Costume Designer… (are the actors there?) • What are they doing? • Page by page through the script and identifying how and where everything will be done • Production Stages -- most important

  9. Scheduling Budgeting Hiring Cast & Crew Scouting Locations Set & Costume Design Planning Hair & Make-up Finding Props Building Effects Planning Sound Securing & Checking Equipment Obtaining Rights Arranging Food & Travel Buying Insurance Planning The Shoot

  10. How Can You Get Into the Business? • Networking (news workshop, NBS Regional) • Internships, Fellowships • NATPE, ATAS, IRTS, RTNDA, etc. • Texas Film Commission site • Part Time Jobs • Enthusiasm and willing to ‘pay your dues’ • Willing to live where the jobs are, and travel • Local markets and news 

  11. Local station production • Newscasts • Talk Shows? Game Shows? Variety? • Local Sports • Hyperlocal – multicast channels • Promotions / advertising • Versus local production house

  12. Other Local Market Production • Production House • Audio, video/film, content specialization • Corporate Media (health example) • Advertising Agencies and boutiques • Primedia example • Austin Studios example

  13. Back to the networking • Shadowing • Internships • Part time jobs • Mandy.com (explore) • Texas Film Commission (explore) • TAB and similar (explore) • ###

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