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Art of the Ancient Near East Part 1

Art of the Ancient Near East Part 1. SUMERIAN ART, 3,000 BCE. SUMERIAN CITY STATES. Settled in Mesopotamia – birth place of Judaism (Garden of Eden), Christianity and Islam Continued the development of sustainable agriculture: canal construction, crop collection and distribution

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Art of the Ancient Near East Part 1

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  1. Art of the Ancient Near East Part 1 SUMERIAN ART, 3,000 BCE

  2. SUMERIAN CITY STATES • Settled in Mesopotamia – birth place of Judaism (Garden of Eden), Christianity and Islam • Continued the development of sustainable agriculture: canal construction, crop collection and distribution • These developments allowed portions of the population to focus on manufacturing , trade and administration • Complex Urban Societies called CITY STATES • THEOCRACY: Each CITY STATE was under the rule and protection of different Mesopotamian deities • Sumerian kings were the god’s representatives on earth and they directed all communal activities of their CITY STATE • Monumental temples were erected in honor of the Gods and their power on Earth • Often at war with each other – WAR and power are common themes in Sumerian art.

  3. Writing Pictographs – pictures standing in for words Cuneiforms – clay tablets carved with wedged shaped forms – beginning of writing Epic of Gilgamesh pre-dates The Odyssey. Tells the story of the legendary King of Uruk.

  4. What are the facts? (F) Artist: Trades People Patron: Rulers of Sumer Title: White Temple Date: 3,000 BCE Size: Monumental Location: Uruk, Modern Iraq What is the medium and technique? (M) No access to stone. Constructed of Mud Bricks

  5. How is the structureconstructed? (FA) Temple (cella) Ziggurat Bent-axis Plan

  6. Why was it created? (CA) • 1. Physical Location • Theocratic society and the central role of god’s in daily life • The main temple dedicated to the city’s chief god, Anu (sky god). • Temple was the nucleus of the city. • 2. Patron • - Priest-King, City • 3. Historical Events • - Constant war and disease = fear of Gods • 4. Concepts and Ideas • - Temples were called waiting rooms: believed the deity would • descend from the heavens and appear before the priests and rulers • in the cella. • - Commercial and administrative decisions tied to worship and ritual

  7. Devices used to declare sacred spaces • Exclusivity • Material wealth / decoration • Ritual and Ceremony • History of location adding to the site • MEANING / FUNCTION? (MF) • Discuss how the building’s exclusivity, material wealth and ritual function support the religious beliefs and political system of its time?

  8. What are the facts? (F) Artist: Trades Person Patron: Citizen of Sumer Title: Sumerian Votive Offering Date: 3,000 BCE Size: Varies Location / findspot: Square Temple at Eshnunna What is the medium and technique? (M) Carved Stone, with shell and Black Limestone eyes

  9. What is the artworks content / subject matter? (SM) Mortal rather than deities - Worshippers • How is the subject matter • visually represented? (FA) • - Standing or sitting • Simple forms: cones and cylinders • Stiff • Frontal, hands clasped • Clothing and hair, physical types • Large eyes, awe, fear

  10. WHY WAS IT CREATED (CA) • 1. PHYSICAL LOCATION • Placed in temples facing altars or statues of Gods • 2. PATRON • Commissioned by worshippers for specific gods. • 3. HISTORICAL EVENTS • Constant threat of war and disease = fear of death • 4. CONCEPTS AND IDEAS • Theocracy, belief in an unpleasant afterlife FUNCTION? (MF) Surrogate for worshipper, offering constant prayer, awe and reverence to the God to ensure a long life.

  11. Discuss howSumerian society and beliefs shape the form and function of the artwork?

  12. What are the facts? (F) Artist: Trades Person Patron: Sumerian Aristocray Title: Standard of Ur (War and Peace) Date: 3,000 BCE Size: Varies Location / findspot: Royal Cemetary, Ur What is the medium and technique? (M) Mosaic: Wood, lapis lazuli, shell and red limestone

  13. What is the artworks content / subject matter? (SM) • - War • Peace

  14. How is the subject matter visually represented? (FA) • Narrative Devices: • 3 Registers. Read left to right. Bottom to top • Sequential ordering of story: • 1: Narrative Frieze of battle • 2: Gathering and leading away the conquered foe • 3: Delivering the captured • Hierarchy of Scale • Twisted perspective, Conceptual representation

  15. WHY WAS IT CREATED (CA) 1. PHYSICAL LOCATION Placed in burial chamber 2. PATRON Commissioned by family members of the dead or the aristocrat himself. 3. HISTORICAL EVENTS May depict actual war and the victory celebration 4. CONCEPTS AND IDEAS Expresses the idea that the Sumerian King has two principle roles: Mighty warrior and chief administrator who, with the blessing of the Gods, assures the prosperity of the land during peacetime

  16. Meaning / Function? • Meaning: Communicates two sides of Sumerian society and the Duties of the King • Function: Unknown object Explain how the narrative devices used in the Standard of Ur make meaning?

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