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Ancient Africa - Nile River Culture and the Pyramids. I. Cultural and environmental determinants of Egyptian architecture A. Characteristics of Egyptian politics, climate, religion, and landscape (compared to Mesopotamia). 1 . The Middle East with Egypt and the Red Sea.
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I. Cultural and environmental determinants of Egyptian architecture A. Characteristics of Egyptian politics, climate, religion, and landscape (compared to Mesopotamia) 1. The Middle East with Egypt and the Red Sea
I. A. . . . religion King’s burial in Mesopotamia King’s burial in ancient Egypt Mudbrick royal tomb at Ur Great Pyramids at Giza
I. A. 1. Landscape+Architecture Pay special attention to Egypt’s innovations in landscape/architecture relationship Egypt – Nile River Valley 2. Nile River, Egypt
I. B. The world’s earliest stone architecture Nile River in Upper Egypt
I. B. 2. What was the cultural significance of stone in Egyptian architecture? I. B. 1. Which buildings were constructed in stone? mudbrick stone Temple of Re at Heliopolis The “Bent” Pyrmaid, Dahshur, Egypt, ca. 2600 bc Town of El-Kahun Royal palace at Tell Amarna
I. C. Vernacular building traditions and the look of Egyptian stone architecture. battered walls 1. gorge cornice mudbrick house in Yemen today ancient Egyptian model of a tall house ¾ round molding
I. C.1. Does Egyptian architectural form derive from symbolism or techtonics? ≠ form material model of an Egyptian hut shrine
Old Kingdom Middle Kingdom New Kingdom 2600 bc 2500 bc 2030 bc 1550 bc 1400 bc King Zoser’s Mortuary Complex Mortuary temple of Hatshepsut Temple of Amon, Luxor Great Pyramids, Giza (mortuary complex)
II. Egyptian funerary architecture: transforming the space of fear and death
II. 4. Zoser’s Pyramid & Mortuary Complex, Saqqara, Egypt, c. 2680 B.C. King Zoser (r. 2687-2668 bc)
II. A. Religious context: What is the king’s relationship with the sun god (Re) in life and death? Ka – a vital force emanating from the god to his son the king Statue of Zoser in the serdab Zoser’s Mortuary Complex
II. A. 1. What was orientation of Zoser’s Mortuary Complex? Zoser’s Mortuary Complex
II. B. Landscape: King Zoser’s Mortuary Complex as funerary architecture II. B. 1. Why were geographical and architectural realities represented symbolically in the complex as an eternal landscape of Egypt? 3. Zoser’s Mortuary Complex
II. A. Zoser’s Step Pyramid mastaba Mastaba of Queen Herneith, Saqqara, 1st Dynasty (3100-2890 BC)
II. C. Major parts of the complex and the vernacular origins of their architecture: 1. What vernacular materials were transformed into stone? Step Pyramid of Zoser Giza (Chephren’s Pyramid)
II. C. 1. Walls of Zoser’s Mortuary Complex
II. C. 2. colonnaded entrance hall bundled reed column Step Pyramid of Zoser
II. C. 2. Zoser’s Mortuary Complex clerestorey illuminates the interior
II. C. 3. Heb-Sed Court with sham temples Zoser’s Mortuary Complex – Heb-Sed Court reconstructed sham temples on Heb-Sed Court
II. C. 3. Heb-Sed Court with sham temples Zoser’s Mortuary Complex curved hoops of matting bundled reed columns imitation woodfence
II. C. 3. a. Heb-Sed Court with sham temples Zoser’s Mortuary Complex reed columns w/ saddle capitals
II. C. 4. North and South sham palaces – symbolic, not practical, use of plant forms Zoser’s Mortuary Complex chapel next to north sham palace
II. C. 4. North and South sham palaces - symbolic, not practical, use of plant forms in building Zoser’s Mortuary Complex south sham palace - lotus columns north sham palace - papyrus columns
II. D. 1. What does the hieroglyphic signature of architect Imhotep tell us about the status of architects ? II. D. Theory: Who or what is the source of the architectural ideas that brought Zoser’s Mortuary Complex to fruition? Imhotep’s list of titles: Chancellor of the King of Egypt, Doctor, First in line after the King of Upper Egypt, Administrator of the Great Palace, Hereditary nobleman, High Priest of Heliopolis, Builder, Chief Carpenter, Chief Sculptor and Maker of Vases in Chief. hieroglyphic signature of Imhotep in Zoser’s pyramid
III. Great Pyramids at Giza: An Abrupt Change in Site Design 6. Great Pyramids at Giza, Egypt, 2570-2500 B.C.
III. A. Site Design: What is unprecedented in Egyptian culture in the relationship between architecture and landscape at Giza? Great Pyramids at Giza
III. A. 1. What is an explanation for the bond to landscape in terms of ritual? Great Pyramids at Giza
III. A. 2. The tripartite sequence of elements in the landscape-embracing design Great Pyramids at Giza mortuary temple causeway valley temple
III. A. 2. a. valley temple (and sphinx) Great Pyramids at Giza (Chephren’s Valley Temple)
III. A. 2. b. mortuary temple Great Pyramids at Giza (Chephren’s Mortuary Temple)
III. A. 2. c. pyramid (tomb) Great Pyramids at Giza (Chephren’s Pyramid in foreground)
III. A. 2. c. pyramid (tomb) Giza (Cheops’s Pyramid) Saqqara (Zoser’s step pyramid)
III. C. Aesthetic revolution: a new architectural language at Giza 1. What forms replaced references to natural forms and vernacular architecture at Giza? non-referential representational forms abstract, pure geometrical forms Zoser’s Mortuary Complex Giza (Chephren’s Valley Temple)
III. C. 1. non-referential forms = timeless = radical break with past 7. or 3. Zoser’s Step Pyramid at Saqqara Giza
III. C. 1. Great Pyramids at Giza
III. D. Political context: Why do we see these architectural changes at Giza now at this particular moment in Egyptian history? Great Pyramids at Giza Temple of Amon-Re at Heliopolis